"Gaggle and Flock: I. Gaggle" by Steven Mackey, Hsin-Yun Huang, Borromeo String Quartet, Brentano String Quartet was released on September 1, 2017. Gaggle and Flock: I. Gaggle appears to be safe for all ages as it is not explicit. There are a total of 12 in the song's album "Speak Like the People, Write Like the King". In this album, this song's track order is #11. Based on our statistics, Gaggle and Flock: I. Gaggle's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Gaggle and Flock: I. Gaggle by Steven Mackey, Hsin-Yun Huang, Borromeo String Quartet, Brentano String Quartet having a BPM of 147 with a half-time of 74 BPM and a double-time of 294 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
狂気の影 | Takashi Kako | G Minor | 3 | 6A | 83 BPM | ||
Prometheus: III. According to the Third... | Geoffrey Gordon, Philharmonia Orchestra, Martyn Brabbins, Laurent Ben Slimane | A Major | 1 | 11B | 81 BPM | ||
Dreamhouse | Steven Mackey, Boston Modern Orchestra Project, Rinde Eckert, Synergy Vocals, Catch Electric Guitar Quartet, Gil Rose | C Minor | 2 | 5A | 97 BPM | ||
Malviaje | Lucas Vidal | C Major | 2 | 8B | 200 BPM | ||
Dancing Shades: VI | Therese Birkelund Ulvo, Ernst Simon Glaser | D♭ Major | 0 | 3B | 108 BPM | ||
Shaker Loops (version for string orchestra): Hymning Slews | John Adams, Bournemouth Symphony Orchestra, Marin Alsop | A Major | 0 | 11B | 83 BPM | ||
Espressivo | Ingo Höricht, Michael Berger | B Major | 1 | 1B | 79 BPM | ||
Three High Places (Double Bass Version): I. Above Sunset Pass | John Luther Adams, Robert Black | G Major | 0 | 9B | 61 BPM | ||
Ghosts of Hong Kong | Micah Sandt | A♭ Major | 0 | 4B | 79 BPM | ||
Serenade: IV. Agathon. Adagio | Leonard Bernstein, James Ehnes, St. Louis Symphony, Stéphane Denève | G Major | 2 | 9B | 83 BPM |
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