"Variationen für Klavier, Op. 27: I. Sehr mäßig" by Anton Webern, Ronald Cavaye was released on February 1, 2019. The duration of Variationen für Klavier, Op. 27: I. Sehr mäßig is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Variationen für Klavier, Op. 27: I. Sehr mäßig's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Schubert, Debussy, Ravel, Kurtág & Webern". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United States. Variationen für Klavier, Op. 27: I. Sehr mäßig is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Variationen für Klavier, Op. 27: I. Sehr mäßig by Anton Webern, Ronald Cavaye having a BPM of 60 with a half-time of 30 BPM and a double-time of 120 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2 Lieder, Op. 19: I. Weiß wie Lilien, reine Kerzen | Anton Webern, Pierre Boulez, London Symphony Orchestra | A♭ Major | 0 | 4B | 85 BPM | ||
Sonata in B Minor, K.87 | Domenico Scarlatti, Vladimir Horowitz | B Minor | 0 | 10A | 76 BPM | ||
6 German Dances, D. 820 (arr. A. Webern): IV. -- | Franz Schubert, Anton Webern, Philharmonia Orchestra, Robert Craft | B♭ Major | 0 | 6B | 121 BPM | ||
Sinfonietta: 5. Andante con moto - Maestoso - Tempo I - Allegretto - Allegro - Maestoso - Adagio | Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelik | E♭ Minor | 3 | 2A | 60 BPM | ||
Reves | David Abramovitz, Claire Brua, Maurice Ravel | G Minor | 0 | 6A | 89 BPM | ||
Ame no ki sobyo II (Rain Tree Sketch II), "In memoriam Olivier Messiaen" | Toru Takemitsu, Kotaro Fukuma | F♯ Minor | 0 | 11A | 85 BPM | ||
Sur L'herbe | Laurent Naouri, David Abramovitz, Maurice Ravel | F♯ Minor | 0 | 11A | 72 BPM | ||
Debussy: La Mer, L. 111a: III. Dialogue du vent et de la mer | Claude Debussy, Emmanuel Krivine, Orchestre National De France | D♭ Major | 2 | 3B | 84 BPM | ||
Piano Sonata No. 6 in A Major, Op. 82: III. Tempo di valzer lentissimo | Sergei Prokofiev, Ivo Pogorelich | D♭ Major | 0 | 3B | 66 BPM | ||
Concerto, Op. 24: I. Etwas lebhaft | Anton Webern, Pierre Boulez, London Symphony Orchestra | E♭ Major | 0 | 5B | 58 BPM |
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