"Gratia Musa tibi (Thank you, Muse)" by Petr Fiala, Hana Škarková, Czech Philharmonic Choir, Brno was released on September 2, 2014. With this song being about 5 minutes long, at 4:37, "Gratia Musa tibi (Thank you, Muse)" by Petr Fiala, Hana Škarková, Czech Philharmonic Choir, Brno is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 19 out of 19 in Fiala: De Amicitia by Petr Fiala, Various Artists, Ivan Matyáš, Lukás Vasilek. Based on our statistics, Gratia Musa tibi (Thank you, Muse)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Gratia Musa tibi (Thank you, Muse) by Petr Fiala, Hana Škarková, Czech Philharmonic Choir, Brno is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Maometto II (Mahomed): Act I No. 3: Duetto: Cedi: e la sua vendetta (Omar, Zopiro) | Peter von Winter, Maria Luigia Borsi, Petr Fiala, Antonio de Gobbi, Gloria Montanari, Sebastian Na, Jan Ocetek, Cesare Ruta, Luca Salsi, Czech Philharmonic Choir, Brno, Czech Chamber Soloists, Brno, Gabriele Bellini | C Major | 3 | 8B | 85 BPM | ||
Chtic aby spal (Sweet Mary Lulls her Babe To Sleep) (arr. P. Fiala for voice, chorus and orchestra) | Petr Fiala, Adam Václav Michna z Otradovic, Martina Jelínková, Czech Philharmonic Choir, Brno, Czech Chamber Soloists, Brno | B♭ Major | 1 | 6B | 80 BPM | ||
Requiem in C Minor: VI. Pie Jesu | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | F Minor | 0 | 4A | 76 BPM | ||
Orfeo ed Euridice: Act I, Scene 1, Coro: Ah, se intorno a quest'urna funesta | Christoph Willibald Gluck, René Jacobs, RIAS Kammerchor, Freiburger Barockorchester | F Minor | 1 | 4A | 80 BPM | ||
Dies irae for Soli, Chorus and Orchestra: No. 16, Lacrimosa dies illa | Antonio Caldara, Czech Philharmonic Chorus Brno, Czech Chamber Soloists, Petr Fiala | D Major | 1 | 10B | 90 BPM | ||
Music For The Royal Fireworks: Suite HWV 351: 1. Ouverture | George Frideric Handel, The English Concert, Trevor Pinnock | D♭ Major | 4 | 3B | 136 BPM | ||
Konecne | Petr Fiala | E Major | 7 | 12B | 106 BPM | ||
Mille regretz | Josquin des Prez, Stile Antico | F♯ Minor | 1 | 11A | 86 BPM | ||
Concerto In G Major TWV 40:201, For 4 Violins Without Basso Continuo: 1. Largo e staccato | Georg Philipp Telemann, Reinhard Goebel, Stephan Schardt, Julia Huber-Warzecha, Mary Utiger | F♯ Major | 0 | 2B | 110 BPM | ||
Sinfonia melodica in C Major, TWV 50:2: VI. Chaconnette | Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold Kuijken | A♭ Major | 3 | 4B | 140 BPM |
Section: 0.9673852920532227
End: 0.9715466499328613