"Puts: The Hours, Act 1: "Here on This Corner" (Clarissa) [Live]" by Kevin Puts, Renée Fleming, Yannick Nézet-Séguin, Metropolitan Opera Orchestra was released on April 26, 2024. With this song being about 5 minutes long, at 5:01, "Puts: The Hours, Act 1: "Here on This Corner" (Clarissa) [Live]" by Kevin Puts, Renée Fleming, Yannick Nézet-Séguin, Metropolitan Opera Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 26 in the song's album "Puts: The Hours (Live)". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. Puts: The Hours, Act 1: "Here on This Corner" (Clarissa) [Live] is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Puts: The Hours, Act 1: "Here on This Corner" (Clarissa) [Live] by Kevin Puts, Renée Fleming, Yannick Nézet-Séguin, Metropolitan Opera Orchestra having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Dream of Gerontius, Op. 38, Pt. 2: Lord, Thou hast been our refuge - Radio Edit | Edward Elgar, Gabrieli, Paul McCreesh, Anna Stephany | D Major | 0 | 10B | 85 BPM | ||
Home: Faster, refreshed | Kevin Puts, Miró Quartet | C Major | 1 | 8B | 84 BPM | ||
Missa Maria Magdalena: Kyrie | Stellan Sagvik, Annika Skoglund, Olle Persson, Hannah Holgersson, Carl Unander-Scharin, Staffan Alveteg, Bjorn Blomberg, Liselotte Lindgren, Maria Magdalena Motet Choir, Stockholm Chamber Choir, Ralph Gustafsson, Mathias Kjellgren, Stockholm Saxophone Quartet, Ragnar Bohlin | C Minor | 2 | 5A | 84 BPM | ||
Eventide: II. Tema | Kenneth Fuchs, Tim McAllister, Sinfonia Of London, John Wilson | F Major | 0 | 7B | 76 BPM | ||
Four Orchestral Songs, Op. 1: No. 2, Nein! | Hans Krása, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle | F Minor | 1 | 4A | 83 BPM | ||
Younger Than Spring | Winfred Jeremiah | D♭ Major | 1 | 3B | 85 BPM | ||
20 Irish Songs, WoO 153: No. 11, When Far From the Home | Ludwig van Beethoven, Gerald Finley, Nicola Benedetti, Sheku Kanneh-Mason, Benjamin Grosvenor | D Major | 1 | 10B | 173 BPM | ||
4 Lieder, Op. 2: No. 1, Erwartung | Arnold Schoenberg, Claire Booth, Christopher Glynn | D Major | 0 | 10B | 66 BPM | ||
Hänsel und Gretel: Abends will ich schlafen gehn | Engelbert Humperdinck, Hera Hyesang Park, Emily D'Angelo, Orchestra del Teatro Carlo Felice, Jochen Rieder | F♯ Minor | 2 | 11A | 80 BPM | ||
String Theory: Vars. 14-17 - Finale | Bruce Broughton, London Symphony Orchestra, Jonathan Bloxham | D Major | 4 | 10B | 87 BPM |
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