Suite for Orchestra in E-Sharp Major "La Lyra": VI. Bourree I & II - Georg Philipp Telemann, Camerata Rhenania, Hanspeter Gmür Information

Acousticness: 77%
Danceability: 10%
Energy: 19%
Instrumentalness: 94%
Liveness: 7%
Loudness: 75%
Speechiness: 4%
Valence: 9%
Popularity: 0%
Loudness: -14.773 dB

Summary

"Suite for Orchestra in E-Sharp Major "La Lyra": VI. Bourree I & II" by Georg Philipp Telemann, Camerata Rhenania, Hanspeter Gmür was released on January 1, 2009. The duration of Suite for Orchestra in E-Sharp Major "La Lyra": VI. Bourree I & II is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Suite for Orchestra in E-Sharp Major "La Lyra": VI. Bourree I & II's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Telemann: Suites for Orchestra - Suite for Strings & Basso Continuo". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. The popularity of Suite for Orchestra in E-Sharp Major "La Lyra": VI. Bourree I & II is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Suite for Orchestra in E-Sharp Major "La Lyra": VI. Bourree I & II BPM

With Suite for Orchestra in E-Sharp Major "La Lyra": VI. Bourree I & II by Georg Philipp Telemann, Camerata Rhenania, Hanspeter Gmür having a BPM of 171 with a half-time of 86 BPM and a double-time of 342 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.

Suite for Orchestra in E-Sharp Major "La Lyra": VI. Bourree I & II Key

This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Concerto in D Minor for Oboe, Strings and Continuo: I. Andante e spiccato	Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso, Andrea Mion	D♭ Minor	2	12A	74 BPM
Concerto for 2 Oboes in A Minor, RV 536: I. (Allegro)	Antonio Vivaldi, Stefan Schilli, Diethelm Jonas, Geoffrey Thomas, Judit Kiss-Domonkos, Budapest Failoni Chamber Orchestra, Béla Nagy	C Major	2	8B	125 BPM
Rameau: Pièces de clavecin (1724), Suite in D Major, RCT 3: No. 1 Les Tendres Plaintes - Rondeau	Jean-Philippe Rameau, Jean Rondeau	C Minor	3	5A	87 BPM
Trumpet Sonata in D Major, Z. 850: I. Allegro	Henry Purcell, Ede Inhoff, Hungarian State Opera Chamber Orchestra	E♭ Minor	0	2A	83 BPM
12 Flute Sonatas (1724), Flute Sonata No. 2 in E Minor: III. Largo	Francesco Mancini, Dan Laurin, London Baroque	A♭ Minor	0	1A	75 BPM
Concerto No 6 in C minor - Allegro	Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng	B Minor	2	10A	104 BPM
Symphony in C Major, J-C 4: II. Andante e affettuoso	Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon	F♯ Major	0	2B	131 BPM
Telemann: Nouveaux quatuors "Paris Quartets", No. 1 in D Major, TWV 43:D3: VI. Vite	Georg Philipp Telemann, Frans Brüggen, Jaap Schröder, Anner Bylsma, Gustav Leonhardt	D Major	3	10B	123 BPM
Trumpet Concerto in D Major, FWV L:D1: II. Largo	Johann Friedrich Fasch, Alain De Rudder, Il Gardellino	D♭ Major	0	3B	180 BPM
Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo)	Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis	A Minor	1	8A	79 BPM

ISRC: USSJ10915352
Label: L-M Records/RCA Records

Section: 0.6217410564422607

End: 0.6260664463043213