"Sonatina canonica after Paganini: IV. Alla marcia: Moderato" by Luigi Dallapiccola, Roberto Prosseda was released on 2005. The duration of Sonatina canonica after Paganini: IV. Alla marcia: Moderato is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Sonatina canonica after Paganini: IV. Alla marcia: Moderato's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 27 in Dallapiccola: Sonatina Canonica - Tartiniana Seconda by Luigi Dallapiccola, Duccio Ceccanti. In terms of popularity, Sonatina canonica after Paganini: IV. Alla marcia: Moderato is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Sonatina canonica after Paganini: IV. Alla marcia: Moderato by Luigi Dallapiccola, Roberto Prosseda is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dallapiccola: Canti di prigionia: No. 2, Invocazione di Boezio | Luigi Dallapiccola, Hans Zender, Ensemble Intercontemporain, New London Chamber Choir | D Minor | 1 | 7A | 114 BPM | ||
Ma mère l'oye, Suite, M. 60: I. Pavane de la Belle au bois dormant | Maurice Ravel, Paul Lewis, Steven Osborne | C Major | 0 | 8B | 79 BPM | ||
Trio, Op. 40: IV. Finale | Johannes Brahms, Martin Owen, Francesca Dego, Alessandro Taverna | E Major | 1 | 12B | 131 BPM | ||
5 Piano Pieces Op. 3, TrV 105: No. 2, Allegro vivace. Scherzando | Richard Strauss, Guillaume Bellom | G Minor | 0 | 6A | 68 BPM | ||
Four Scenes of Childhood: I. Good Morning | Franz Waxman, Patrick Savage, Martin Cousin | A Minor | 1 | 8A | 90 BPM | ||
Grandes études de Paganini, S. 141: IV. Vivo in E Major "Arpeggio" (After Caprice No. 1) | Franz Liszt, Marc-André Hamelin | E Major | 1 | 12B | 92 BPM | ||
String Quartet, Op. 56 "Voces intimae": IV. Allegretto (ma pesante) | Jean Sibelius, Vertavo String Quartet | F Major | 1 | 7B | 83 BPM | ||
Arirang (Arr. Hough) | Anonymous, Stephen Hough | F Major | 2 | 7B | 77 BPM | ||
Las 4 Estaciones Porteñas (Arr. for Violin & String Orchestra by Leonid Desyatnikov): I. Verano Porteño | Astor Piazzolla, Tomás Cotik, Martingale Ensemble, Ken Selden | F Major | 3 | 7B | 141 BPM | ||
Abbey Road concerto for Violin and Orchestra: IV. Intermezzo 2 | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | G Major | 1 | 9B | 75 BPM |
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