"Pictures at an Exhibition: The Great Gate at Kiev" by Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras was released on September 17, 2012. With this song being about 5 minutes long, at 5:07, "Pictures at an Exhibition: The Great Gate at Kiev" by Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 100 Chefs-d'oeuvre pour découvrir la musique classique, so we believe that "Pictures at an Exhibition: The Great Gate at Kiev" is a single. Pictures at an Exhibition: The Great Gate at Kiev is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Pictures at an Exhibition: The Great Gate at Kiev by Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elgar: Romance for Bassoon in D Minor, Op. 62 (Arr. for Cello and Orchestra) | Edward Elgar, Natalie Clein, Vernon Handley, Royal Liverpool Philharmonic Orchestra | E Minor | 0 | 9A | 71 BPM | ||
Sinfonia in C major, RV 112: I. Allegro | Karoly Botvay | G Major | 2 | 9B | 119 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, Los Angeles Philharmonic, Zubin Mehta | E♭ Major | 1 | 5B | 142 BPM | ||
Tavener: Requiem: IV. Kali's Dance | John Tavener, Vasily Petrenko, Josephine Knight, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra | F Major | 1 | 7B | 86 BPM | ||
Materna Requiem: 6. Paradisum Interlude | Rebecca Dale, Royal Liverpool Philharmonic Orchestra, Clark Rundell | D♭ Major | 0 | 3B | 137 BPM | ||
Lyric for Strings | George Walker, Kellen Gray, Royal Scottish National Orchestra | D♭ Major | 0 | 3B | 142 BPM | ||
Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | ||
Piano Concerto in A Minor, Op. 7: 3. Allegro non troppo | Clara Schumann, Isata Kanneh-Mason, Royal Liverpool Philharmonic Orchestra, Holly Mathieson | A Minor | 2 | 8A | 113 BPM | ||
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Staatskapelle Dresden, Silvio Varviso | D Major | 0 | 10B | 121 BPM | ||
Piano Concerto No.2 in G minor, Op.22: 1. Andante sostenuto | Camille Saint-Saëns, Benjamin Grosvenor, Royal Liverpool Philharmonic Orchestra, James Judd | C Minor | 1 | 5A | 71 BPM |
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