Franz Lehár, Leo Stein, Victor Leon, Benno Kusche/Helen Donath/Hermann Prey/Edda Moser/Siegfried Jerusalem/Chor des Bayerischen Rundfunks/Münchner Rundfunkorchester/Heinz Wallberg, Heinz Wallberg, Muenchner Rundfunkorchester, Munich Radio Orchestra made "Die lustige Witwe - Operette in 3 Akten (1989 - Remaster), 2. Akt: Es waren zwei Königskinder - Ich gehe zu Maxim & Nr.12a: Entr'akt" available on 1980. The duration of Die lustige Witwe - Operette in 3 Akten (1989 - Remaster), 2. Akt: Es waren zwei Königskinder - Ich gehe zu Maxim & Nr.12a: Entr'akt is about 3 minutes long, at 3:06. Based on our data, "Die lustige Witwe - Operette in 3 Akten (1989 - Remaster), 2. Akt: Es waren zwei Königskinder - Ich gehe zu Maxim & Nr.12a: Entr'akt" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Franz Lehár, Leo Stein, Victor Leon, Heinz Wallberg's "Lehár: Die lustige Witwe" album is number 13 out of 32. Die lustige Witwe - Operette in 3 Akten (1989 - Remaster), 2. Akt: Es waren zwei Königskinder - Ich gehe zu Maxim & Nr.12a: Entr'akt is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Die lustige Witwe - Operette in 3 Akten (1989 - Remaster), 2. Akt: Es waren zwei Königskinder - Ich gehe zu Maxim & Nr.12a: Entr'akt by Franz Lehár, Leo Stein, Victor Leon, Benno Kusche/Helen Donath/Hermann Prey/Edda Moser/Siegfried Jerusalem/Chor des Bayerischen Rundfunks/Münchner Rundfunkorchester/Heinz Wallberg, Heinz Wallberg, Muenchner Rundfunkorchester, Munich Radio Orchestra to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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