Giovanni Pierluigi da Palestrina, Sistine Chapel Choir, Massimo Palombella's 'Veritas Mea Et Misericordia Mea' came out on October 7, 2016. The duration of Veritas Mea Et Misericordia Mea is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Veritas Mea Et Misericordia Mea's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Palestrina". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Germany. In terms of popularity, Veritas Mea Et Misericordia Mea is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Veritas Mea Et Misericordia Mea by Giovanni Pierluigi da Palestrina, Sistine Chapel Choir, Massimo Palombella having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Sacred Songs, Op. 69: No. 3, Abendlied "Bleib bei uns, es will Abend werden" | Josef Rheinberger, Westminster Kantorei, Amanda Quist | F Major | 2 | 7B | 134 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: XIII. Our Father | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | A♭ Major | 2 | 4B | 119 BPM | ||
Voce mea ad Dominum | Felice Anerio, Sistine Chapel Choir, Massimo Palombella | E Minor | 1 | 9A | 88 BPM | ||
Introitus: I. Requiem aeternam | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | A♭ Major | 1 | 4B | 88 BPM | ||
Ola Gjeilo: Tota pulchra es | Ola Gjeilo, Schola Cantorum, Tone Bianca Sparre Dahl | E Major | 1 | 12B | 131 BPM | ||
Si Ignoras Te, O Pulchra Inter Mulieres | Cappella Musicale Pontificia, Massimo Palombella | E Minor | 2 | 9A | 101 BPM | ||
Now Is the Month of Maying: Now Is the Month of Maying | Thomas Morley, Laudantes Consort, Guy Janssens | G Major | 2 | 9B | 111 BPM | ||
Sacred Madrigals, Book 2 (Delle madrigali spirituali libro secondo): E, se mai voci | Giovanni Pierluigi da Palestrina, Agnes Kovacs, Agnes Pinter, Judit Andrejszki, Karoly Paszti, Zoltan Kalmanovits, Corvina Consort | D Minor | 0 | 7A | 170 BPM | ||
Son of God Mass: Gloria | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | D Major | 1 | 10B | 138 BPM | ||
Confirma hoc Deus | Jacobus Gallus, Pro Musica, Szabó Dénes | A Major | 1 | 11B | 66 BPM |
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