"Oboe Sonata: III. Extrêmement tendre, expressif" by Eugène Bozza, Alex Klein, Phillip Bush was released on April 12, 2019. The duration of Oboe Sonata: III. Extrêmement tendre, expressif is about 3 minutes long, at 3:02. Based on our data, "Oboe Sonata: III. Extrêmement tendre, expressif" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 19 in the song's album "Twentieth Century Oboe Sonatas". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United States. In terms of popularity, Oboe Sonata: III. Extrêmement tendre, expressif is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Oboe Sonata: III. Extrêmement tendre, expressif by Eugène Bozza, Alex Klein, Phillip Bush having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Soprano Saxophone Concerto: IV. Wood | John Mackey, Vince Gnojek, University of Kansas Wind Ensemble, Scott Weiss | F Minor | 0 | 4A | 64 BPM | ||
Stravinsky: 3 Pieces for Solo Clarinet: No. 2 | Igor Stravinsky, Sabine Meyer | D Major | 0 | 10B | 169 BPM | ||
Suite for four Horns in F: Danse | Eugène Bozza, Detmolder Hornquartett | A Minor | 2 | 8A | 93 BPM | ||
24 Caprices Op. 1: No. 24 in A Minor | Niccolò Paganini, Sergei Nakariakov | F Major | 0 | 7B | 66 BPM | ||
Fughette - Sicilienne - Rigaudon KR 10A/10B: Fughette | Eugène Bozza, Trio Lezard | C Major | 1 | 8B | 109 BPM | ||
Trombone Concerto in B-Flat Major: III. Allegro | Nikolai Rimsky-Korsakov, Christian Lindberg, Tokyo Kosei Wind Orchestra, Chikara Imamura | F Major | 1 | 7B | 69 BPM | ||
3 Morceaux, Op. 15 (arr. for brass ensemble by Jarle Storløkken): I. Serenade | Agathe Backer Grøndahl, tenThing, Tine Thing Helseth | A Minor | 0 | 8A | 66 BPM | ||
Poulenc: Flute Sonata, FP 164: I. Allegro malinconico | Francis Poulenc, Emmanuel Pahud, Eric Le Sage | C Major | 0 | 8B | 79 BPM | ||
Suite for four Horns in F: La Chasse | Eugène Bozza, Detmolder Hornquartett | C Major | 0 | 8B | 114 BPM | ||
Sonatine pour 2 Trompettes, 1 Cor, 1 Trombone, 1 Tuba: I. Allegro Vivo | Eugène Bozza, Brass Quintet München | E Minor | 2 | 9A | 130 BPM |
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