On January 1, 2000, the song "Spanish Dances, Op. 23: No. 2. Zapateado" was released by Pablo de Sarasate, James Ehnes, Eduard Laurel. The duration of Spanish Dances, Op. 23: No. 2. Zapateado is about 3 minutes long, at 3:25. Based on our data, "Spanish Dances, Op. 23: No. 2. Zapateado" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Wieniawski / Sarasate: Violin Showpieces by James Ehnes. The song's track number on the album is #11 out of 12 tracks. In terms of popularity, Spanish Dances, Op. 23: No. 2. Zapateado is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Spanish Dances, Op. 23: No. 2. Zapateado by Pablo de Sarasate, James Ehnes, Eduard Laurel has a tempo of 114 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Spanish Dances, Op. 23: No. 2. Zapateado being at 114 BPM, the half-time would be 57 BPM with a double-time of 228 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vieuxtemps: Violin Concerto No. 5 in A Minor, Op. 37: II. Adagio | Henri Vieuxtemps, Itzhak Perlman, Daniel Barenboim, Orchestre de Paris | A Major | 2 | 11B | 93 BPM | ||
Serenade: V. Socrates. Alcibiades. Molto tenuto - Allegro molto vivace | Leonard Bernstein, James Ehnes, St. Louis Symphony, Stéphane Denève | G Major | 2 | 9B | 83 BPM | ||
Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Mischa Maisky, Philharmonia Orchestra, Giuseppe Sinopoli | E Minor | 1 | 9A | 95 BPM | ||
Violin Concerto No. 1 In D, Op. 19: 3. Moderato | Sergei Prokofiev, Gil Shaham, London Symphony Orchestra, André Previn | G Minor | 1 | 6A | 65 BPM | ||
Barber - Concerto for Violin and Orchestra, op. 14: III Presto in moto perpetuo | Samuel Barber, James Ehnes, Vancouver Symphony Orchestra, Bramwell Tovey | E Minor | 4 | 9A | 96 BPM | ||
Piano Trio No. 4 in E Minor, Op. 90 - "Dumky Trio": Piano Trio No. 4 in E Minor, Op. 90 - "Dumky Trio": I. Lento maestoso - Allegro quasi doppio movimento | Antonín Dvořák, Alexander Melnikov, Jean-Guihen Queyras, Isabelle Faust | E Major | 1 | 12B | 92 BPM | ||
Viola Concerto, BB 128, Sz. 120: I. Moderato | Béla Bartók, James Ehnes, Gianandrea Noseda, BBC Philharmonic Orchestra | D Major | 4 | 10B | 86 BPM | ||
Tchaikovsky: Variations on a Rococo Theme, Op. 33: Variation IV - Andante grazioso - Un poco animato | Pyotr Ilyich Tchaikovsky, Munich Philharmonic Orchestra, Valery Gergiev | D Major | 1 | 10B | 117 BPM | ||
Three Movements from Petrushka: I. Russian Dance | Igor Stravinsky, Khatia Buniatishvili | G Major | 3 | 9B | 125 BPM | ||
Zapateado Op. 23 | Pablo de Sarasate, Sarah Chang, Charles Abramovic | A Major | 3 | 11B | 113 BPM |
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