"The lily and the rose" by Bob Chilcott, New London Children's Choir, Alexander Wells, Ronald Corp was released on November 18, 2008. The duration of The lily and the rose is about 3 minutes long, at 3:26. Based on our data, "The lily and the rose" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 13 out of 35 in Children's Choir Music: New London Children's Choir - Skempton, H. / Corp, R. / Bennett, R.R. / Chilcott, B. / Rutter, J. / Maw, N. (Pigs Could Fly) by New London Children's Choir, Ronald Corp. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, The lily and the rose's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The lily and the rose by Bob Chilcott, New London Children's Choir, Alexander Wells, Ronald Corp is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Allegri: Miserere - 07. Redde Mihi Laetitiam | The Tallis Scholars, Peter Phillips | F Major | 1 | 7B | 149 BPM | ||
Entreat Me Not to Leave You | Dan Forrest, Westminster Williamson Voices, James Jordan | B♭ Minor | 1 | 3A | 104 BPM | ||
Prelude | Ola Gjeilo, Phoenix Chorale, Charles Bruffy | A♭ Minor | 1 | 1A | 86 BPM | ||
Lux Aurumque | BYU Singers | D♭ Minor | 0 | 12A | 79 BPM | ||
In the Stillness | Sally Beamish, Katrina Shepherd, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | A Minor | 0 | 8A | 125 BPM | ||
Quanta Qualia | Patrick Hawes, Conventus Choir, English Chamber Orchestra | E♭ Major | 1 | 5B | 139 BPM | ||
Isorhythmic Motets: Apostolo glorioso - Cum tua doctrina - Andreas, Christi famulus | Guillaume Dufay, Huelgas Ensemble, Paul Van Nevel | C Major | 1 | 8B | 109 BPM | ||
My Love Dwelt in A Northern Land, Op. 18, No. 3 | Edward Elgar, musica intima | A Minor | 1 | 8A | 105 BPM | ||
Anton Bruckner: Ave Maria | Anton Bruckner, Schola Cantorum, Tone Bianca Sparre Dahl | F Major | 1 | 7B | 74 BPM | ||
The Hymn of Acxiom (Arr. H. Dahlgren) | Örebro University Choir, Fredrik Berglund | D♭ Major | 1 | 3B | 87 BPM |
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