Peregrines Orchestra's 'Keyboard Sonata No.27 in G Major, Hob. XVI - I. Allegro con brio' had a release date set for January 21, 2021. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "The Joseph Haydn Collection". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Keyboard Sonata No.27 in G Major, Hob. XVI - I. Allegro con brio's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Keyboard Sonata No.27 in G Major, Hob. XVI - I. Allegro con brio by Peregrines Orchestra having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia in E Major: II. Vivace | Johan Helmich Roman, Camerata Nordica, Terje Tonnesen | B♭ Major | 2 | 6B | 113 BPM | ||
Der Fischer und das Milchmädchen: XVI. Andante agitato | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Gli orazi e i curiazi: Overture (1800 Paris Version) | Domenico Cimarosa, Czech Philharmonic Chamber Orchestra, Patrick Gallois | C Major | 1 | 8B | 134 BPM | ||
Concerto grosso No. 1 in G Major, Op. 6/1, HWV 319: II. Allegro | George Frideric Handel, Sir Neville Marriner, Norman Nelson, Gerald Jarvis, Anthony Howard, Kenneth Heath, John Churchill, Academy of St. Martin in the Fields | G Major | 2 | 9B | 114 BPM | ||
Sinfonia in F Major, Fk. 67: II. Andante | Wilhelm Friedemann Bach, Salzburg Chamber Philharmonic Orchestra, Yoon K. Lee | F♯ Major | 1 | 2B | 71 BPM | ||
Concerto Grosso in E Minor, Op. 6, No. 3, HWV 321: II. Andante | George Frideric Handel, Gerhart Hetzel, Kurt-Christian Stier, Fritz Kiskalt, Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter | D Major | 4 | 10B | 129 BPM | ||
Violin Concerto in D Major, Op. 2 No. 2: III. Rondeau | Joseph Boulogne Chevalier de Saint-Georges, Fumika Mohri, Czech Philharmonic Chamber Orchestra, Michael Halasz | D Major | 1 | 10B | 126 BPM | ||
String Quartet No. 6 in B Flat Major, Op. 18, No. 6 - III. Scherzo Allegro | Beethoven | D Major | 2 | 10B | 144 BPM | ||
Brahms: Double Concerto for Violin and Cello in A Minor, Op. 102: II. Andante | Johannes Brahms, Frank Peter Zimmermann, Heinrich Schiff, London Philharmonic Orchestra, Wolfgang Sawallisch | A Major | 4 | 11B | 80 BPM | ||
Concerto a due cori No. 2, HWV 333: V. Allegro ma non troppo – Adagio | George Frideric Handel, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 4 | 6B | 122 BPM |