Anonymous, Nicola Porpora, José Maria Lo Monaco, Stile Galante, Stefano Aresi made "Placida surge aurora, S. 232: No. 2, In tanta horroris nocte" available on January 19, 2024. With Placida surge aurora, S. 232: No. 2, In tanta horroris nocte being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 18 in the song's album "Porpora: Music for the Venetian Ospedaletto". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Spain. Placida surge aurora, S. 232: No. 2, In tanta horroris nocte is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Placida surge aurora, S. 232: No. 2, In tanta horroris nocte by Anonymous, Nicola Porpora, José Maria Lo Monaco, Stile Galante, Stefano Aresi having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Os iusti. Gradual (Modo I) - Remasterizado | Anonymous, Coro De Monjes Del Monasterio De Silos, Ismael Fernandez De La Cuesta | B♭ Minor | 9 | 3A | 110 BPM | ||
Jam sauche | Pierre de la Rue, Capilla Flamenca, Patrick Denecker | F Minor | 1 | 4A | 93 BPM | ||
Memorare | The Benedictine Abbey of Saint Benôit-Du-Lac, Dom André Saint-Cyr | F Major | 0 | 7B | 131 BPM | ||
Dum transisset sabbatum | John Taverner, Alamire, David Skinner | E♭ Minor | 3 | 2A | 79 BPM | ||
Lumen ad revelationen Antiphona (Maria Reinigung) Antiphona | Choir Of St. Abuscus | B♭ Major | 2 | 6B | 141 BPM | ||
Glorious Miracle | "Drevnerussky Rospev" Male Choir | B♭ Major | 0 | 6B | 107 BPM | ||
Chanson: Rose, liz, printemps, verdure | Guillaume de Machaut, Orlando Consort | C Major | 1 | 8B | 127 BPM | ||
Hanacpachap Cussicuinin | Anonymous, Chœur De Chambre De Namur, Cappella Mediterranea, Clematis, Leonardo García-Alarcón | G Major | 4 | 9B | 139 BPM | ||
O Filii et Filiae | Anonymous, Pierre Cochereau, Jehan Revert, Maîtrise de Notre-Dame de Paris, Léon Souberbielle, Jacques Marichal | C Minor | 3 | 5A | 71 BPM | ||
In monte Oliveti, IGM 4 | Giovanni Battista Martini, Pro Musica, Szabó Dénes | G Minor | 0 | 6A | 133 BPM |
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