Percy Grainger, University of Texas Chamber Singers, male section, University of Texas Concert Chorale, The University of Texas Wind Ensemble, Jerry Junkin's 'Children's March, "Over the Hills and Far Away"' came out on June 7, 2011. Since Children's March, "Over the Hills and Far Away" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 6 in the song's album "Texas Music Educators Association 2006 Clinic and Convention". In this album, this song's track order is #5. Based on our statistics, Children's March, "Over the Hills and Far Away"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Children's March, "Over the Hills and Far Away" by Percy Grainger, University of Texas Chamber Singers, male section, University of Texas Concert Chorale, The University of Texas Wind Ensemble, Jerry Junkin having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Dance Episodes from "On the Town": I. The Great Lover Displays Himself | Leonard Bernstein, New York Philharmonic | C Major | 2 | 8B | 128 BPM | ||
St. Paul's Suite, Op. 29 No. 2, H 118: 4. Finale (The Dargasson): Allegro | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | E♭ Minor | 1 | 2A | 100 BPM | ||
The Lost Lady Found | Percy Grainger, Ambrosian Singers, English Chamber Orchestra, Benjamin Britten | A Minor | 2 | 8A | 178 BPM | ||
Toccata marziale | Ralph Vaughan Williams, North Texas Wind Symphony, Eugene Migliaro | F Minor | 4 | 4A | 109 BPM | ||
Armenian Dances: Part II: II. Khoomar | Alfred Reed, Taiwan Wind Ensemble, John P. Boyd | G Major | 1 | 9B | 176 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Courtly Airs and Dances: VI. Allemande | Ron Nelson, Dallas Wind Symphony, Jerry Junkin | B♭ Major | 1 | 6B | 126 BPM | ||
Symphony No. 2 in B Minor: I. Allegro | Alexander Borodin, Stuttgart Radio Symphony Orchestra, Carlos Kleiber | G Major | 3 | 9B | 137 BPM | ||
The Firebird, Tableau I: Infernal Dance of Kastchei and His Subjects Under the Firebird's Magic Spell | Igor Stravinsky, Philharmonia Orchestra, Robert Craft | F♯ Major | 4 | 2B | 156 BPM | ||
Second Suite for Military Band, Op. 28 No. 2: II. Song Without Words "I'll Love My Love" | Gustav Holst, Timothy Reynish, Royal Northern College Of Music Wind Orchestra | C Minor | 0 | 5A | 65 BPM |
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