"Trio Sonata in D Minor, Op. 1 No. 12, RV 63 "La follia" (Arr. J. Steenbrink & T. Steenbrink for Sheng & Chamber Ensemble)" by Antonio Vivaldi, Wu Wei, Holland Baroque was released on July 12, 2019. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Since Trio Sonata in D Minor, Op. 1 No. 12, RV 63 "La follia" (Arr. J. Steenbrink & T. Steenbrink for Sheng & Chamber Ensemble) only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from Netherlands. Trio Sonata in D Minor, Op. 1 No. 12, RV 63 "La follia" (Arr. J. Steenbrink & T. Steenbrink for Sheng & Chamber Ensemble) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Trio Sonata in D Minor, Op. 1 No. 12, RV 63 "La follia" (Arr. J. Steenbrink & T. Steenbrink for Sheng & Chamber Ensemble) by Antonio Vivaldi, Wu Wei, Holland Baroque having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fauré: Requiem in D Minor, Op. 48: VII. In Paradisum | Gabriel Fauré, Paavo Järvi, Orchestre de Paris | D Major | 0 | 10B | 147 BPM | ||
Oboe Concerto in D Minor, Arr. for Harp and Strings: I. Andante e spiccato | Alessandro Marcello, Xavier De Maistre | D Minor | 2 | 7A | 80 BPM | ||
L'arte dell'arco, B. F11: Variazione No. 23 | Giuseppe Tartini, Alessandro Clerici | F Major | 3 | 7B | 125 BPM | ||
Moving to the Ghetto Oct. 31, 1940 | Wojciech Kilar, Tadeusz Strugala, The Warsaw Philharmonic National Orchestra of Poland | A Minor | 0 | 8A | 101 BPM | ||
Les Folies d'Espagne | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | D♭ Minor | 0 | 12A | 108 BPM | ||
Peer Gynt, Op. 23: In the Hall of the Mountain King - Arr. for Hardanger Fiddle & String Orchestra by Tormod Tvete Vik | Edvard Grieg, Ragnhild Hemsing, TrondheimSolistene | B Major | 2 | 1B | 116 BPM | ||
"Death Is a Friend of Ours" for Mandolin, Harp, Harpsichord, Theorbo, Guitar: II. The Death of Despair | David Bruce, Avi Avital, Anneleen Lenaerts, Yizhar Karshon, Ophira Zakai, Sean Shibe | G Minor | 0 | 6A | 120 BPM | ||
Scherzo in D Minor | Pavel Kogan, Moscow State Symphony Orchestra | D Minor | 4 | 7A | 121 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Mendelssohn: 6 Lieder ohne Worte, Book 6, Op. 67: II. Allegro leggiero | Felix Mendelssohn, Leif Ove Andsnes | F♯ Minor | 1 | 11A | 182 BPM |
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