Seven Keys to Doomsday, Act 1, Track 1
Doctor Who, Terrance Dicks, Trevor Martin, Charlie Hayes, Joe Thompson
The Stageplays 2: Seven Keys to Doomsday (Unabridged)
4:15 October 1, 2008
BPM
101
Key
F Minor
Camelot
4A

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Seven Keys to Doomsday, Act 1, Track 1 - Doctor Who, Terrance Dicks, Trevor Martin, Charlie Hayes, Joe Thompson Information

Acousticness
44%
Danceability
55%
Energy
65%
Instrumentalness
0%
Liveness
76%
Loudness
79%
Speechiness
88%
Valence
55%
Popularity
Loudness
-12.791 dB

Summary

Doctor Who, Terrance Dicks, Trevor Martin, Charlie Hayes, Joe Thompson made "Seven Keys to Doomsday, Act 1, Track 1" available on October 1, 2008. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 41 in the song's album "The Stageplays 2: Seven Keys to Doomsday (Unabridged)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. In terms of popularity, Seven Keys to Doomsday, Act 1, Track 1 is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

Seven Keys to Doomsday, Act 1, Track 1 BPM

With Seven Keys to Doomsday, Act 1, Track 1 by Doctor Who, Terrance Dicks, Trevor Martin, Charlie Hayes, Joe Thompson having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Seven Keys to Doomsday, Act 1, Track 1 Key

F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.

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ISRC
DE1A12165629
Label
L-M Records/RCA Records

Section: 0.4883997440338135

End: 0.4924032688140869