Franz Liszt, Josef Bulva's 'Hungarian Rhapsody No. 2 in C-Sharp Minor, S. 244, No. 2: II. Friska - Vivace' came out on April 17, 2015. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Franz Liszt, Josef Bulva's "Josef Bulva Plays Franz Liszt" album is number 2 out of 16. On top of that, Germany appears to be the country where this track was created. Hungarian Rhapsody No. 2 in C-Sharp Minor, S. 244, No. 2: II. Friska - Vivace is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Hungarian Rhapsody No. 2 in C-Sharp Minor, S. 244, No. 2: II. Friska - Vivace by Franz Liszt, Josef Bulva to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
8 Klavierstücke, Op. 76: II. Capriccio in B Minor. Allegretto non troppo | Johannes Brahms, Håkon Austbø | E Major | 1 | 12B | 71 BPM | ||
Davidsbündlertänze, Op. 6: No. 2. Innig | Robert Schumann, Boris Giltburg | B Major | 0 | 1B | 70 BPM | ||
Etude No.12 Op.10-12 C Minor 'Revolution' | Sylvia Capova, Peter Schmalfuss, Josef Bulva, Leonard Hokanson, Marian Pivka, Dieter Goldmann | F Minor | 1 | 4A | 98 BPM | ||
Etude-fantasie in E-Flat Major, Op. 4, "Les Vagues" | Vladimir Horowitz, Valery Kuleshov | G Minor | 1 | 6A | 67 BPM | ||
Mendelssohn: 6 Lieder ohne Worte, Book 6, Op. 67: II. Allegro leggiero | Felix Mendelssohn, Leif Ove Andsnes | F♯ Minor | 1 | 11A | 182 BPM | ||
Sicilienne, Op. 78 (version for piano) | Gabriel Fauré, Simon Crawford-Phillips | F♯ Major | 0 | 2B | 86 BPM | ||
La Tarentelle (Tarantella) | Diane Hidy & Keith Snell | D Minor | 2 | 7A | 153 BPM | ||
Les contes d'Hoffmann: Barcarolle from The Tales of Hoffmann (arr. P.Nagy) | Péter Nagy, Jacques Offenbach | D Major | 0 | 10B | 140 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Arthur Rubinstein, Fritz Reiner | C Minor | 1 | 5A | 71 BPM | ||
Suite bergamasque: Suite bergamasque: III. Clair de lune. Andante très expressif | Claude Debussy, Alain Planès | D♭ Major | 0 | 3B | 67 BPM |
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