Kapitel 51 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag
David Allen, Jürgen Kalwa
Ich schaff das! (Ungekürzt)
4:07 2011
BPM
86
Key
D♭ Major
Camelot
3B

Embed

Share Link

Kapitel 51 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag - David Allen, Jürgen Kalwa Information

Acousticness
47%
Danceability
68%
Energy
22%
Instrumentalness
0%
Liveness
17%
Loudness
61%
Speechiness
93%
Valence
80%
Popularity
Loudness
-23.612 dB

Summary

On 2011, the song "Kapitel 51 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag" was released by David Allen, Jürgen Kalwa. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in David Allen's "Ich schaff das! (Ungekürzt)" album is number 51 out of 194. Kapitel 51 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

Kapitel 51 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag BPM

We consider the tempo marking of Kapitel 51 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag by David Allen, Jürgen Kalwa to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

Kapitel 51 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag Key

D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Una Voce Poco Fa by Gioachino Rossini, Standard Music Library, Andy BrownUna Voce Poco FaGioachino Rossini, Standard Music Library, Andy BrownB Major31B105 BPM
Kapitel 85 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag by David Allen, Jürgen KalwaKapitel 85 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten AlltagDavid Allen, Jürgen KalwaD♭ Major23B116 BPM
Fausto, Act I: Introduzione. Tutte volsi e rivolsi by Louise Bertin, Karine Deshayes, Les Talens Lyriques, Christophe RoussetFausto, Act I: Introduzione. Tutte volsi e rivolsiLouise Bertin, Karine Deshayes, Les Talens Lyriques, Christophe RoussetD Major410B95 BPM
La Traviata, Act I: Si ridestra in ciel l'aurora by Giuseppe Verdi, Ilseyar Khayrullova, Menna Cazel, Francesco Pittari, Biagio Pizzuti, Alexander Köpeczy, Daniel Oren, Dresdner Philharmonie, Sächsischer Staatsopernchor DresdenLa Traviata, Act I: Si ridestra in ciel l'auroraGiuseppe Verdi, Ilseyar Khayrullova, Menna Cazel, Francesco Pittari, Biagio Pizzuti, Alexander Köpeczy, Daniel Oren, Dresdner Philharmonie, Sächsischer Staatsopernchor DresdenA♭ Major44B176 BPM
Las Golondrinas, Escena final, II parte: Las Golondrinas, Escena final, II parte: "Se reía"Coro del Gran Teatro Lírico de Bacelona, Fidela Campiña, Carlo GaleffiE♭ Major25B129 BPM
Cherubini: Medea, Act 1: Cherubini: Medea, Act 1: "Pronube dive" (Creonte, Chorus, Glauce, Giasone)Luigi Cherubini, Giuseppe Modesti, Coro del Teatro alla Scala di Milano, Renata Scotto, Mirto Picchi, Orchestra del Teatro alla Scala di Milano, Tullio Serafin, Coro Del Teatro Alla Scala Di Milano, Giuseppe Modesti, Mirto Picchi, Orchestra Del Teatro Alla Scala, Milano, Renata Scotto, Tullio SerafinF Major27B72 BPM
Medea (Medee) (Sung in Italian): Act I: Taci, Giason, e affisi immoto (Medea, Giasone) by Luigi Cherubini, Nicola Zaccaria, Joan Carlyle, Jon Vickers, Maria Callas, Fiorenza Cossotto, David Allen, Mary Wells, Elizabeth Rust, Royal Opera House Chorus, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Nicola RescignoMedea (Medee) (Sung in Italian): Act I: Taci, Giason, e affisi immoto (Medea, Giasone)Luigi Cherubini, Nicola Zaccaria, Joan Carlyle, Jon Vickers, Maria Callas, Fiorenza Cossotto, David Allen, Mary Wells, Elizabeth Rust, Royal Opera House Chorus, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Nicola RescignoD♭ Major23B91 BPM
Les Contes d'Hoffmann / Act 2: Amis! Amour tendre et rêveur by Jacques Offenbach, Plácido Domingo, Dame Joan Sutherland, Hugues Cuénod, Andre Neury, Jean Valaisan, Pro Arte Choir, Lausanne, Choeur Du Brassus, Choeur de la Radio Suisse Romande, L'Orchestre de la Suisse Romande, Richard BonyngeLes Contes d'Hoffmann / Act 2: Amis! Amour tendre et rêveurJacques Offenbach, Plácido Domingo, Dame Joan Sutherland, Hugues Cuénod, Andre Neury, Jean Valaisan, Pro Arte Choir, Lausanne, Choeur Du Brassus, Choeur de la Radio Suisse Romande, L'Orchestre de la Suisse Romande, Richard BonyngeA♭ Major54B111 BPM
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XIX. Pupillette, fiammette (Tempo di Minuetto) by Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra, Angharad Lyddon, Sam Furness, Matthew RosePulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XIX. Pupillette, fiammette (Tempo di Minuetto)Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra, Angharad Lyddon, Sam Furness, Matthew RoseG Minor06A140 BPM
Der fliegende Holländer, WWV 63 / Act 2: Der fliegende Holländer, WWV 63 / Act 2: "Ach, wo weilt sie"Richard Wagner, Janis Martin, Isola Jones, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg SoltiB♭ Major26B109 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.9745264053344727

End: 0.9779067039489746