Raymond Leppard, New Philharmonia Orchestra, Richard Baker's 'Peter and the Wolf - A Musical Tale for Children Op. 67 [Baker version] (1995 Digital Remaster): Grandfather came out (Grandfather)' came out on February 5, 2006. The duration of Peter and the Wolf - A Musical Tale for Children Op. 67 [Baker version] (1995 Digital Remaster): Grandfather came out (Grandfather) is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Peter and the Wolf - A Musical Tale for Children Op. 67 [Baker version] (1995 Digital Remaster): Grandfather came out (Grandfather)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 39 in the song's album "Prokofiev: Peter and the Wolf . Rawsthorne: Practical Cats etc". In this album, this song's track order is #13. Peter and the Wolf - A Musical Tale for Children Op. 67 [Baker version] (1995 Digital Remaster): Grandfather came out (Grandfather) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Peter and the Wolf - A Musical Tale for Children Op. 67 [Baker version] (1995 Digital Remaster): Grandfather came out (Grandfather) by Raymond Leppard, New Philharmonia Orchestra, Richard Baker having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem, Op. 48: Pie Jesu | Gabriel Fauré, Collegium Vocale Gent, Johannette Zomer, La Chapelle Royale, Philippe Herreweghe | B♭ Major | 0 | 6B | 83 BPM | ||
Water Music Suite No. 2 in D Major, HWV 349: II. Alla Hornpipe | George Frideric Handel, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | D Major | 2 | 10B | 120 BPM | ||
Karelia, JS 115, Tableau 4 "Karl Knutsson in Viipuri Castle": Ballade | Jean Sibelius, Raimo Laukka, Sinfonia Lahti, Osmo Vänskä | A Minor | 0 | 8A | 77 BPM | ||
Symphony in G Minor, Op. 6, No. 6, W. C12: I. Allegro | Johann Christian Bach, Concerto Köln | F♯ Minor | 1 | 11A | 87 BPM | ||
Concerto Á 5 In E Minor: 1. Allegro non molto | Pierre-Gabriel Buffardin, Musica Antiqua Köln, Reinhard Goebel | E♭ Minor | 1 | 2A | 106 BPM | ||
Violin Concerto In D, Op.35, TH. 59: 2. Canzonetta (Andante) | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 103 BPM | ||
Flute Concerto in A Minor, QV 5:238: I. Allegretto | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | G Minor | 2 | 6A | 143 BPM | ||
Variations on a Theme by Haydn, Op. 56a, "St. Anthony Variations": Thema, "Chorale St. Antoni": Andante | Johannes Brahms, London Philharmonic Orchestra, Marin Alsop | F♯ Major | 3 | 2B | 125 BPM | ||
Cavalleria rusticana: Act I: Intermezzo sinfonico | Pietro Mascagni, James Levine, National Philharmonic Orchestra | F Major | 1 | 7B | 87 BPM | ||
Sinfonia melodica in C Major, TWV 50:2: VI. Chaconnette | Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold Kuijken | A♭ Major | 3 | 4B | 140 BPM |
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