Louis Couperin, Massimo Berghella made "Harpsichord Suite No. 6 in A Minor: XCIX. Allemande" available on June 30, 2023. The duration of Harpsichord Suite No. 6 in A Minor: XCIX. Allemande is about 3 minutes long, at 3:15. Based on our data, "Harpsichord Suite No. 6 in A Minor: XCIX. Allemande" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 44 out of 129 in Couperin: Complete Harpsichord Music by Louis Couperin, Massimo Berghella. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. The popularity of Harpsichord Suite No. 6 in A Minor: XCIX. Allemande is currently unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Harpsichord Suite No. 6 in A Minor: XCIX. Allemande by Louis Couperin, Massimo Berghella is Vivace (lively and fast), since this song has a tempo of 172 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scarlatti, D: Keyboard Sonata in A Minor, Kk. 3 | Domenico Scarlatti, Scott Ross | B Major | 4 | 1B | 111 BPM | ||
Violin Sonata in G Minor, Op. 5 No. 5 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): I. Adagio | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | F♯ Minor | 1 | 11A | 94 BPM | ||
Concerto 5 in A Minor, Op. 7: I. Vivace | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | D♭ Minor | 2 | 12A | 124 BPM | ||
Passaggio rotto (Andamento Veloce) | Nicola Matteis, Gli Incogniti, Amandine Beyer | A♭ Minor | 1 | 1A | 118 BPM | ||
Gesu al Calvario, ZWV 62: Recitative: O figlie di Sione (Maria Vergine) | Jan Dismas Zelenka, David Cordier, Ingrid Schmithusen, Larissa Malikowa, Lena Susanne Norin, Kai Wessel, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max | B Minor | 2 | 10A | 98 BPM | ||
Suite in C Major: 26. Chaconne | Louis Couperin, Christophe Rousset | F Major | 3 | 7B | 77 BPM | ||
Viola da Gamba Suite in D Major: IV. Andante | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 0 | 3B | 138 BPM | ||
Mensa sonora / PARS III (In A Minor): 4. Ciacona | Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel | A♭ Minor | 0 | 1A | 114 BPM | ||
Quatrième suite in A Minor: No. 7, Muzette II | Marin Marais, François Joubert-Caillet, L'Achéron | A♭ Major | 1 | 4B | 130 BPM | ||
Psyche, Act I Scene 1: Dance for Ambition, Power, Plenty and Peace | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM |
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