"Adeste fideles (O Come All Ye Faithful) (arr. R. Sund and J. Bexelius): Dagen är kommen" by John Francis Wade, Robert Sund, Joel Bexelius, Adolf Fredrik Bachkor, Stockholm Salvation Army Seventh District Brass Band, Anders Öhrwall was released on January 1, 2000. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Adolf Fredriks Bachkör, Anders Öhrwall, Per Ohlsson's "Hosianna - Adolf Fredriks Bachkör - Christmas music" album is number 4 out of 18. In terms of popularity, Adeste fideles (O Come All Ye Faithful) (arr. R. Sund and J. Bexelius): Dagen är kommen is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Adeste fideles (O Come All Ye Faithful) (arr. R. Sund and J. Bexelius): Dagen är kommen by John Francis Wade, Robert Sund, Joel Bexelius, Adolf Fredrik Bachkor, Stockholm Salvation Army Seventh District Brass Band, Anders Öhrwall to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem: IV. Sanctus | Giuseppe Verdi, Robert Shaw, Atlanta Symphony Orchestra | F Major | 2 | 7B | 118 BPM | ||
Overcome the Grave | Tori Harris | G Major | 4 | 9B | 148 BPM | ||
Freedom Come | Laudate Mennonite Ensemble | F Major | 0 | 7B | 128 BPM | ||
Love Divine, All Loves Excelling | Harmonious Chorale Ghana | D♭ Minor | 6 | 12A | 108 BPM | ||
Psalm 42/43: Like as the hart desireth the water-brooks | T. Rogers, The Choir Of Westminster Abbey, Martin Neary | E Major | 1 | 12B | 79 BPM | ||
In the Lord | Rejike | D Major | 0 | 10B | 74 BPM | ||
Traditional Slavic Christmas Music | Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 79 BPM | ||
Audite, silete | Michael Praetorius, Capella Vocalis Boys Choir, Eckhard Weyand | D♭ Minor | 1 | 12A | 101 BPM | ||
O Come, All Ye Faithful (Arr. by David Willcocks) | John Francis Wade, The Choir Of Bath Abbey, Huw Williams, Shean Bowers | G Major | 2 | 9B | 90 BPM | ||
The Lord's My Shepherd | Andrey Jackson | F♯ Minor | 6 | 11A | 141 BPM |
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