"La Tabernera del Puerto: No Puede Ser" by Pablo Sorozábal, Alfredo Kraus, Carlos Riazuelo, Orquesta Filarmónica de Gran Canaria was released on April 3, 1991. The duration of La Tabernera del Puerto: No Puede Ser is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. La Tabernera del Puerto: No Puede Ser's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 26 in Con el Corazon by Alfredo Kraus. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. La Tabernera del Puerto: No Puede Ser is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La Tabernera del Puerto: No Puede Ser by Pablo Sorozábal, Alfredo Kraus, Carlos Riazuelo, Orquesta Filarmónica de Gran Canaria is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nerva - Pasodoble | Real Orquesta Sinfonica De Sevilla | B♭ Major | 4 | 6B | 114 BPM | ||
Aria ¨La Vendetta, Oh La Vendetta¨ | Orquesta Sinfónica Y Coro De La RAI De Roma | D Major | 1 | 10B | 96 BPM | ||
Doña Francisquita, Act I: Cuando un Hombre se Quiere Casar, Pt. 1 (Cardona, Fernando, Coro) | Amadeo Vives, Orquesta Sinfonica De Tenerife, Antoni Ros Marbá, Santiago Jerico, Alfredo Kraus, Coro Polifonico de la Universidad de la Laguna Rondalla de Tenerife | A♭ Major | 2 | 4B | 121 BPM | ||
La boda de Luis Alonso: "Preludio" - Remastered | Gerónimo Jiménez, Javier De Burgos, Geronimo Gimenez, Gran Orquesta Sinfonica, Ataúlfo Argenta | G Major | 4 | 9B | 91 BPM | ||
Louise (1997 Digital Remaster): Depuis le jour où je me suis donnée | Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre | G Major | 1 | 9B | 95 BPM | ||
Donizetti: Lucia di Lammermoor, Act 3: "Spargi d'amaro pianto" (Lucia, Raimondo, Chorus, Enrico) | Gaetano Donizetti, Maria Callas, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Raffaele Arie, Tito Gobbi, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
Katiuska: "El Cosaco, en Su Brioso Corcel" | Pablo Sorozábal, Orquesta de Conciertos de Madrid | C Major | 5 | 8B | 143 BPM | ||
El Trust de los Tenorios: Te quiero, Morena | Jose Serrano, Alfredo Kraus, José Lloret, Orquesta de Camera de Madrid | D Major | 2 | 10B | 110 BPM | ||
Faust - opera in five acts (1989 Digital Remaster), Act IV: Gloire immortelle (Choeurs des soldats) | Charles Gounod, Victoria de los Ángeles, André Cluytens, Choeurs et Orchestre de l'Opéra National de Paris, Orchestre Et Choeurs Du Theatre National | B Minor | 7 | 10A | 141 BPM | ||
Las Hijas del Zebedeo: Carceleras | Ruperto Chapí, Elina Garanca, Staatskapelle Dresden, Fabio Luisi | D Minor | 1 | 7A | 82 BPM |
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