- BPM
- 123
- Key
- A♭ Major
- Camelot
- 4B
Sinfonia in A Dur für Violine 1, Violine 2, Basso: Menuet - Amandus Ivanschitz, Ars Antiqua Austria Information
- Acousticness
- 91%
- Danceability
- 74%
- Energy
- 43%
- Instrumentalness
- 89%
- Liveness
- 11%
- Loudness
- 71%
- Speechiness
- 5%
- Valence
- 39%
- Popularity
- 0%
- Loudness
- -17.587 dB
Summary
Amandus Ivanschitz, Ars Antiqua Austria's 'Sinfonia in A Dur für Violine 1, Violine 2, Basso: Menuet' came out on November 4, 2022. The duration of Sinfonia in A Dur für Violine 1, Violine 2, Basso: Menuet is about 3 minutes long, at 3:11. Based on our data, "Sinfonia in A Dur für Violine 1, Violine 2, Basso: Menuet" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 20 in Chamber Music at the Abbey of Lambach by Amandus Ivanschitz, Ars Antiqua Austria. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Based on our statistics, Sinfonia in A Dur für Violine 1, Violine 2, Basso: Menuet's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
Sinfonia in A Dur für Violine 1, Violine 2, Basso: Menuet BPM
The tempo marking of Sinfonia in A Dur für Violine 1, Violine 2, Basso: Menuet by Amandus Ivanschitz, Ars Antiqua Austria is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
Sinfonia in A Dur für Violine 1, Violine 2, Basso: Menuet Key
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Concerto grosso No. 12 in F Major, Op. 6: III. Adagio | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Minor | 1 | 12A | 110 BPM | |
 | Trio Sonata in G Major: I. Largo | Johann Gottlieb Graun, Berliner Barock Compagney | F♯ Major | 1 | 2B | 97 BPM | |
 | Dialogue | Louis Couperin, London Baroque | B Major | 2 | 1B | 101 BPM | |
 | Violin Sonata in D Minor, Op. 5, No. 12, "La Follia" (arr. for recorder and basso continuo) | Anonymous, Arcangelo Corelli, Michala Petri, Mahan Esfahani | A Minor | 2 | 8A | 137 BPM | |
 | Correnti e balletti, Op. 4: No. 33, Ciaconna | Maurizio Cazzati, London Baroque | D♭ Major | 3 | 3B | 96 BPM | |
 | Concerto Grosso in C Minor, Op. 1 No. 11: III. Sarabanda. Largo | Pietro Locatelli, Isabelle Faust, Il Giardino Armonico, Giovanni Antonini | D♭ Major | 2 | 3B | 93 BPM | |
 | Violin Sonata in D Minor, Op. 2, No. 3, RV 14: III. (Adagio) | Antonio Vivaldi, Ingrid Seifert, Richard Gwilt, Charles Medlam, Terence R. Charlston, Irmgard Schaller, London Baroque | E Major | 3 | 12B | 107 BPM | |
 | 6 Concerti grossi, Op. 3, No. 3 in E Minor, H. 75: III. Adagio | Francesco Geminiani, Concerto Italiano, Rinaldo Alessandrini | A♭ Minor | 1 | 1A | 60 BPM | |
 | Sonata a 3 in G Major, Op. 4, No. 10: I. Preludio: Adagio - Allegro | REBEL, Rebel | F♯ Major | 3 | 2B | 123 BPM | |
 | Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 7, La douceur | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM |
- ISRC
- NLB152200849
- Label
- L-M Records/RCA Records
Section: 0.5952334403991699
End: 0.5988941192626953