Ryoichi Hattori, Osaka Toin Symphonic Band's '東京ブギウギ' came out on March 5, 2010. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in 「ローマ三部作」セレクション, so we believe that "東京ブギウギ" is a single. 東京ブギウギ is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 東京ブギウギ by Ryoichi Hattori, Osaka Toin Symphonic Band is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piccola reminiscenza | Giacomo Cataldo | B♭ Minor | 1 | 3A | 92 BPM | ||
NICE TO MEET YOU | うたたね歌菜 | G Minor | 6 | 6A | 81 BPM | ||
Gil Blas: Theme. Allegro vivo | Jules Strens, Matty Cilissen, Royal Band of the Belgian Air Force | F Minor | 0 | 4A | 176 BPM | ||
Chariots of Fire: Main Theme (arr. N. Raine for orchestra) | Vangelis, Nicholas Raine, Royal Philharmonic Orchestra | C Major | 4 | 8B | 137 BPM | ||
Erherzog-Albrect-Ma, Op. 136 | Karel Komzak II, Tschechische Philharmonie, Václav Neumann | E♭ Major | 3 | 5B | 121 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XVIII. Vivo | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | ||
Little Ballet Music: VI. Marche de Kermesse | Richard Flury, Nuremberg Symphony Orchestra, Paul Mann | E♭ Major | 6 | 5B | 126 BPM | ||
惑星(木星 喜びをもたらすもの) | Holst, Gustav, Yutaka Sado, NHK Symphony Orchestra | G Minor | 2 | 6A | 143 BPM | ||
交響曲第4番 ヘ短調 Op. 36: IV. Finale. Allegro con fuoco | Pyotr Ilyich Tchaikovsky, NHK Symphony Orchestra, Tadaaki Otaka | A♭ Major | 2 | 4B | 67 BPM | ||
Foshay Tower Washington Memorial | John Philip Sousa, Timothy Foley, The Great American Main Street Band | F Major | 3 | 7B | 120 BPM |
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