Antonín Dvořák, Pia Bernauer, Henry Ladewig, Berliner Philharmoniker, Herbert von Karajan made "Bloody movies - Spin on Classical Music (SOCM 1)" available on September 18, 2020. With Bloody movies - Spin on Classical Music (SOCM 1) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 23 in the song's album "Spin On Classical Music 1 - Classical Music Is Everywhere". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. In terms of popularity, Bloody movies - Spin on Classical Music (SOCM 1) is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Bloody movies - Spin on Classical Music (SOCM 1) by Antonín Dvořák, Pia Bernauer, Henry Ladewig, Berliner Philharmoniker, Herbert von Karajan having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Swan Lake, Op.20, TH.12 / Act 4: No.27 Danses des petits cygnes (Moderato) | Pyotr Ilyich Tchaikovsky, Orchestre Symphonique de Montréal, Charles Dutoit | B♭ Minor | 0 | 3A | 81 BPM | ||
Symphony No. 9 In E Minor, Op. 95, B. 178, "From The New World": II. Largo | Slovak Philharmonic, Antonín Dvořák | D♭ Major | 0 | 3B | 77 BPM | ||
Abdelazer: Rondeau | Henry Purcell, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 1 | 10A | 66 BPM | ||
Carmen Variations | Vladimir Horowitz | E Major | 2 | 12B | 148 BPM | ||
Keyboard Sonata in C Major, Kk. 159 | Domenico Scarlatti, Alon Goldstein | C Major | 2 | 8B | 120 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM | ||
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | ||
Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | ||
Czech Suite in D Major, Op. 39, B. 93: V. Finale. Presto | Antonín Dvořák, Prague Chamber Orchestra, Josef Vlach | D Minor | 3 | 7A | 112 BPM |
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