Georges Auric, Rumon Gamba, BBC Philharmonic Orchestra made "The Titfield Thunderbolt Suite: I. Titles" available on September 1, 1999. With The Titfield Thunderbolt Suite: I. Titles being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 28 in the song's album "The Film Music of Georges Auric". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. The Titfield Thunderbolt Suite: I. Titles is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With The Titfield Thunderbolt Suite: I. Titles by Georges Auric, Rumon Gamba, BBC Philharmonic Orchestra having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
La vita è bella | Nicola Piovani, Luigi Piovano, Archi di Santa Cecilia | D Major | 0 | 10B | 129 BPM | ||
Say No More, It's Goodbye | Georges Auric, Diahann Carroll | E♭ Major | 1 | 5B | 83 BPM | ||
The Skaters Waltz | The Manhattan Pops | A Major | 3 | 11B | 186 BPM | ||
Lullaby (Wiegenlied) | Johannes Brahms, David Hays, Peter Collins | E♭ Major | 2 | 5B | 126 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM | ||
The Carnival of the Animals, R. 125: XIII. The Swan (Arr. for Piano & Bass) | Camille Saint-Saëns, PianoBasso | G Major | 0 | 9B | 114 BPM | ||
Adagio Variation (From Adagio in G Minor, Arr. for Violin and Piano by Svetoslav Karparov) | Tomaso Albinoni, Remo Giazotto, Gabriele Bagnati, Esther Abrami | G Major | 1 | 9B | 119 BPM | ||
La baigneuse de Trouville, FP 23 (arr. M. Constant): TAILLEFERRE: La Valse des Depeches | Georges Auric, Marius Constant, Francis Poulenc, Germaine Tailleferre, Arthur Honegger, Darius Milhaud, Jean-Pierre Aumont, Raymond Gerôme, Erwartung Ensemble, Bernard Desgraupes | A Minor | 1 | 8A | 98 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM |
Section: 0.6148736476898193
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