"Concerti a più istrumenti in F Major, Op. 6 No. 3, II. Largo sempre Piano" by Evaristo Felice Dall'Abaco, Davide Monti, Orchestra Barocca di Verona, Il Tempio Armonico, Alberto Rasi was released on October 23, 2008. With Concerti a più istrumenti in F Major, Op. 6 No. 3, II. Largo sempre Piano being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 11 out of 37 in Dall'Abaco: Concerti a più istrumenti by Evaristo Felice Dall'Abaco, Alberto Rasi, Il Tempio Armonico, Orchestra Barocca di Verona, Davide Monti. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Concerti a più istrumenti in F Major, Op. 6 No. 3, II. Largo sempre Piano is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerti a più istrumenti in F Major, Op. 6 No. 3, II. Largo sempre Piano by Evaristo Felice Dall'Abaco, Davide Monti, Orchestra Barocca di Verona, Il Tempio Armonico, Alberto Rasi is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
San Giovanni Battista: Overture | Alessandro Stradella, Nereydas, Javier Ulises Illán | D Major | 2 | 10B | 61 BPM | ||
Dall'Abaco : Concerti a più Istrumenti Op.6 [c1734], Concerto No.5 in G major : II Aria | Evaristo Felice Dall'Abaco, Concerto Köln | F♯ Minor | 1 | 11A | 171 BPM | ||
Il pianto d'Arianna in E-Flat Major, Op. 7 No.6: X. Largo | Pietro Locatelli, Orchestre De Chambre De Toulouse, Gilles Colliard | D Minor | 0 | 7A | 97 BPM | ||
Concerto in D Minor, RV 565: I. Allegro | Antonio Vivaldi, Manuel Tomadin, Gioele Gusberti, Paolo Monetti, Manuel Staropoli, Pietro Prosser | D♭ Minor | 2 | 12A | 113 BPM | ||
Water Music, Suite No. 3 en sol majeur, HWV 350: II. Rigaudons I/II | George Frideric Handel, Bernard Labadie, Les Violons du Roy | A♭ Major | 1 | 4B | 91 BPM | ||
Concerto VII in F Major: IV. Allegro | António Pereira da Costa, Ensemble Bonne Corde, Diana Vinagre | F Major | 2 | 7B | 109 BPM | ||
Sonata a 6 in D Minor, G. 23 | David Pohle, Clematis, Brice Sailly, Stéphanie de Failly | D Major | 1 | 10B | 93 BPM | ||
Concerto No. 8 in G Minor, Op. 2 No. 8: I. Allegro | Evaristo Felice Dall'Abaco, Il Tempio Armonico, Alberto Rasi | B♭ Minor | 4 | 3A | 130 BPM | ||
Airs for the Winter: Golden Rod: III. Tempo di minuetto: Allegro | James Oswald, The Broadside Band | A Major | 2 | 11B | 76 BPM | ||
Symphony in C Major, J-C 4: III. Allegrissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 137 BPM |
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