"Les Contes d'Hoffmann / Act 3: "Ah! tu doutes de tout!"" by Jacques Offenbach, Anne Sofie von Otter, Francisco Araiza, Jessye Norman, Staatskapelle Dresden, Jeffrey Tate was released on January 1, 1992. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 59 in the song's album "Offenbach: Les Contes d'Hoffmann". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Netherlands. Les Contes d'Hoffmann / Act 3: "Ah! tu doutes de tout!" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Les Contes d'Hoffmann / Act 3: "Ah! tu doutes de tout!" by Jacques Offenbach, Anne Sofie von Otter, Francisco Araiza, Jessye Norman, Staatskapelle Dresden, Jeffrey Tate having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Traviata / Act 1: Libiamo ne'lieti calici | Giuseppe Verdi, Ileana Cotrubas, Plácido Domingo, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | B♭ Major | 2 | 6B | 113 BPM | ||
Sylvia: Act I: Valse lente | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | A♭ Major | 0 | 4B | 111 BPM | ||
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
Dvořák: 8 Slavonic Dances, Op. 72, B. 147: No. 10 in E Minor | Antonín Dvořák, Lorin Maazel, Berliner Philharmoniker | C Major | 1 | 8B | 81 BPM | ||
Delibes: Coppélia, Act I: No. 1, Valse | Léo Delibes, Jean-Baptiste Mari, Orchestre de l'Opéra National de Paris | E♭ Major | 1 | 5B | 143 BPM | ||
Offenbach: La Grande-Duchesse de Gérolstein, Act 1: Overture | Jacques Offenbach, Felicity Lott, Sandrine Piau, Yann Beuron, Choeur des Musiciens du Louvre, Les Musiciens du Louvre, Grenoble, Marc Minkowski, Les Musiciens du Louvre.Grenoble | C Major | 1 | 8B | 145 BPM | ||
Fauré: Pavane, Op. 50 | Gabriel Fauré, San Francisco Symphony, Michael Tilson Thomas | F♯ Minor | 0 | 11A | 62 BPM | ||
Raymonda, Act III: Variation for male dancer | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | A♭ Major | 0 | 4B | 61 BPM | ||
Music for the Royal Fireworks: Suite HWV 351: 4. La réjouissance | George Frideric Handel, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 4 | 3B | 102 BPM | ||
Grainger / Orch. Artok: Country Gardens, BFMS 22 | Percy Grainger, Light Music Society Orchestra, Sir Vivian Dunn | E♭ Major | 2 | 5B | 157 BPM |
Section: 1.1304347515106201
End: 1.1341402530670166