Tine Thing Helseth's 'Spotify Commentary 3' came out on March 4, 2013. The duration of Spotify Commentary 3 is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Spotify Commentary 3's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 35 in the song's album "TINE". In this album, this song's track order is #5. In terms of popularity, Spotify Commentary 3 is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
With Spotify Commentary 3 by Tine Thing Helseth having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
Concerto a 5 in B flat, Op.7, no.10 for Strings and Continuo: 3. Allegro | Tomaso Albinoni, I Musici | B♭ Major | 2 | 6B | 107 BPM | ||
Trumpet Sonata: I Mit Kraft | Paul Hindemith, Tine Thing Helseth, Kathryn Stott | B♭ Minor | 2 | 3A | 126 BPM | ||
Mon coeur s'ouvre à ta voix (from Samson and Delilah) | Camille Saint-Saëns, Tine Thing Helseth, Eivind Aadland, Royal Liverpool Philharmonic Orchestra | D♭ Major | 1 | 3B | 133 BPM | ||
Music For The Royal Fireworks: Suite HWV 351: 1. Ouverture | George Frideric Handel, The English Concert, Trevor Pinnock | D♭ Major | 4 | 3B | 136 BPM | ||
Handel: Music for the Royal Fireworks, HWV 351: I. Overture (Adagio) | George Frideric Handel, Alison Balsom, Balsom Ensemble, Simon Wright | D♭ Major | 3 | 3B | 87 BPM | ||
Requiem, Op. 48: IV. Sanctus | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France | E♭ Major | 1 | 5B | 64 BPM | ||
Bridal March from Østerdalen (Arr. Tine Thing Helseth & Kåre Nordstoga) | Tine Thing Helseth, Kåre Nordstoga, Traditional | D Major | 2 | 10B | 132 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | A Major | 0 | 11B | 68 BPM | ||
Concerto For 2 Mandolins, Strings And Continuo In G, RV 532: 3. Allegro | Antonio Vivaldi, James Tyler, Robin Jeffrey, The English Concert, Trevor Pinnock | D♭ Major | 2 | 3B | 144 BPM |
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