Tine Thing Helseth's 'Spotify Commentary 3' came out on March 4, 2013. The duration of Spotify Commentary 3 is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Spotify Commentary 3's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 35 in the song's album "TINE". In this album, this song's track order is #5. In terms of popularity, Spotify Commentary 3 is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
With Spotify Commentary 3 by Tine Thing Helseth having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony for Flute, Oboe, Horn and Strings in D Major: II. Andantino | Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan Vogel | B♭ Major | 0 | 6B | 0 BPM | ||
Korngold: Die tote Stadt, Op. 12, Act I: Lied. "Glück, das mir verblied" (Marietta) [Arr. for Trumpet] | Erich Wolfgang Korngold, Tine Thing Helseth, Eivind Aadland, Royal Liverpool Philharmonic Orchestra | B♭ Major | 1 | 6B | 71 BPM | ||
Water Music, HWV 349, Suite No. 2 in D Major: Allegro, Alla Hornpipe | Academy of St. Martin in the Fields, Sir Neville Marriner, John Constable | D Major | 2 | 10B | 115 BPM | ||
Karelia Suite, Op.11: 3. Alla marcia (Moderato) | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | A Major | 3 | 11B | 164 BPM | ||
Hungarian Dance No.4 In F Sharp Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F♯ Minor | 2 | 11A | 80 BPM | ||
Concerto No. 1 in C Major, Hob. VIIh:1 "Lyra organizzata" (Versions for Flute, Oboe & Orchestra): I. Allegro con spirito | Joseph Haydn, Ana de la Vega, Ramon Ortega Quero, TrondheimSolistene, Geir Inge Lotsberg | C Major | 1 | 8B | 75 BPM | ||
Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Daniel Barenboim, Jacqueline du Pré, Philadelphia Orchestra | B♭ Major | 0 | 6B | 96 BPM | ||
Suite in G minor: IV. Bourree II (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 114 BPM | ||
Okna (Windows): III. Zebulon, the blood-red window | Petr Eben, Tine Thing Helseth, Gunther Rost | C Major | 1 | 8B | 103 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | E♭ Major | 0 | 5B | 100 BPM |
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