Joe Darion, Mitch Leigh, Joan Diener, The Muleteers made "It's All The Same - Man Of La Mancha/1965 Original Broadway Cast/Remastered 2000" available on January 1, 2001. The duration of It's All The Same - Man Of La Mancha/1965 Original Broadway Cast/Remastered 2000 is about 3 minutes long, at 3:00. Based on our data, "It's All The Same - Man Of La Mancha/1965 Original Broadway Cast/Remastered 2000" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Mitch Leigh, Joe Darion, Various Artists's "Man Of La Mancha" album is number 3 out of 18. On top of that, United States appears to be the country where this track was created. In terms of popularity, It's All The Same - Man Of La Mancha/1965 Original Broadway Cast/Remastered 2000 is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of It's All The Same - Man Of La Mancha/1965 Original Broadway Cast/Remastered 2000 by Joe Darion, Mitch Leigh, Joan Diener, The Muleteers to be Moderato (at a moderate speed) because the track has a tempo of 115 BPM, a half-time of 58BPM, and a double-time of 230 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Camelot: Fie on Goodness | Frederick Loewe, The Camelot Ensemble, Franz Allers | E♭ Major | 4 | 5B | 78 BPM | ||
Camelot: Follow Me | Frederick Loewe, Mary Sue Berry, Franz Allers | B Major | 2 | 1B | 172 BPM | ||
Bye Bye Birdie - Original Broadway Cast: How Lovely to Be a Woman | Charles Strouse, Susan Watson, Elliot Lawrence | G Major | 1 | 9B | 144 BPM | ||
The Company Way | Gerry Vichi, Matthew Broderick | A Minor | 3 | 8A | 122 BPM | ||
A Bushel And A Peck (from "Guys & Dolls") | Vivian Blaine, The Hot Box Girls | D Major | 3 | 10B | 145 BPM | ||
Prisoners of Love | Gary Beach, Cady Huffman, Nathan Lane, Matthew Broderick, The Producers Ensemble | A♭ Major | 6 | 4B | 124 BPM | ||
Sighing Softly to the River | The Pirates Of Penzance | F Major | 2 | 7B | 125 BPM | ||
The Speed Test | Marc Kudisch, Sutton Foster, Anne L. Nathan, Thoroughly Modern Millie Ensemble | D Major | 3 | 10B | 162 BPM | ||
Rahadlakum | Alfred Drake, Joan Diener, Lucy Andonian | B♭ Major | 4 | 6B | 77 BPM | ||
I'm Going Back | Judy Holliday | F♯ Major | 2 | 2B | 117 BPM |
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