Johannes Brahms, Daniil Trifonov's '5 Studies, Anh.1a/1: V. Chaconne (After Violin Partita No. 2 in D Minor, BWV 1004 by J.S. Bach, Arr. for Piano)' came out on October 27, 2022. 5 Studies, Anh.1a/1: V. Chaconne (After Violin Partita No. 2 in D Minor, BWV 1004 by J.S. Bach, Arr. for Piano) appears to be safe for all ages as it is not explicit. The song is number 267 out of 303 in Brahms: A Classical October by Johannes Brahms. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. 5 Studies, Anh.1a/1: V. Chaconne (After Violin Partita No. 2 in D Minor, BWV 1004 by J.S. Bach, Arr. for Piano) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 5 Studies, Anh.1a/1: V. Chaconne (After Violin Partita No. 2 in D Minor, BWV 1004 by J.S. Bach, Arr. for Piano) by Johannes Brahms, Daniil Trifonov is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude In D Major, BWV 925 : Prelude In D Major, BWV 925 | Janos Sebestyen, Johann Sebastian Bach | D Major | 3 | 10B | 139 BPM | ||
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | A Minor | 2 | 8A | 80 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 4 in E Minor, Allegro commodo | Bedřich Smetana, Jitka Čechová | E Minor | 1 | 9A | 141 BPM | ||
Khachaturian: Children's Album, Book I, Op. 62: No. 1, Andantino | Aram Khachaturian, Alexandre Tharaud | A♭ Major | 0 | 4B | 90 BPM | ||
[Polonaise] in D Minor, BWV Anh. 128 (Notebook for Anna Magdalena Bach, 1725) | Johann Sebastian Bach, Daniil Trifonov | F Major | 0 | 7B | 167 BPM | ||
6 Moments musicaux, Op. 16: No. 1, Andantino | Sergei Rachmaninoff, Boris Giltburg | E Minor | 2 | 9A | 126 BPM | ||
Variations On A Theme By Chopin: Variation 10. Évocation. Cantabile molto espressivo | Federico Mompou, Daniil Trifonov | F♯ Minor | 0 | 11A | 132 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Brahms: 3 Intermezzi, Op. 117: No. 1 in E-Flat Major | Johannes Brahms, Fazıl Say | A Minor | 0 | 8A | 66 BPM | ||
Nocturne No. 5 in B-Flat Major | John Field, Benjamin Frith | B♭ Major | 0 | 6B | 73 BPM |
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