Notre Dame, Op. 2: Act II Scene 1: Ach, es ist der Priester! (Archdeacon, Esmeralda)
Franz Schmidt, Hartmut Welker, Kurt Moll, James King, Horst R. Laubenthal, Gwyneth Jones, Kaja Borris, Hans Helm, Andreas Juffinger, Chor der St. Hedwigs-Kathedrale Berlin, RIAS Kammerchor, Berlin Radio Symphony Orchestra, Christof Perick
Schmidt, F.: Notre Dame [Opera]
10:16 January 1, 1989
BPM
80
Key
E Major
Camelot
12B

Embed

Share Link

Notre Dame, Op. 2: Act II Scene 1: Ach, es ist der Priester! (Archdeacon, Esmeralda) - Franz Schmidt, Hartmut Welker, Kurt Moll, James King, Horst R. Laubenthal, Gwyneth Jones, Kaja Borris, Hans Helm, Andreas Juffinger, Chor der St. Hedwigs-Kathedrale Berlin, RIAS Kammerchor, Berlin Radio Symphony Orchestra, Christof Perick Information

Acousticness
98%
Danceability
28%
Energy
26%
Instrumentalness
11%
Liveness
18%
Loudness
74%
Speechiness
4%
Valence
17%
Popularity
Loudness
-15.349 dB

Summary

"Notre Dame, Op. 2: Act II Scene 1: Ach, es ist der Priester! (Archdeacon, Esmeralda)" by Franz Schmidt, Hartmut Welker, Kurt Moll, James King, Horst R. Laubenthal, Gwyneth Jones, Kaja Borris, Hans Helm, Andreas Juffinger, Chor der St. Hedwigs-Kathedrale Berlin, RIAS Kammerchor, Berlin Radio Symphony Orchestra, Christof Perick was released on January 1, 1989. Notre Dame, Op. 2: Act II Scene 1: Ach, es ist der Priester! (Archdeacon, Esmeralda) appears to be safe for all ages as it is not explicit. There are a total of 20 in the song's album "Schmidt, F.: Notre Dame [Opera]". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Notre Dame, Op. 2: Act II Scene 1: Ach, es ist der Priester! (Archdeacon, Esmeralda) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Notre Dame, Op. 2: Act II Scene 1: Ach, es ist der Priester! (Archdeacon, Esmeralda) BPM

With Notre Dame, Op. 2: Act II Scene 1: Ach, es ist der Priester! (Archdeacon, Esmeralda) by Franz Schmidt, Hartmut Welker, Kurt Moll, James King, Horst R. Laubenthal, Gwyneth Jones, Kaja Borris, Hans Helm, Andreas Juffinger, Chor der St. Hedwigs-Kathedrale Berlin, RIAS Kammerchor, Berlin Radio Symphony Orchestra, Christof Perick having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Notre Dame, Op. 2: Act II Scene 1: Ach, es ist der Priester! (Archdeacon, Esmeralda) Key

E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Franck: Symphony in D Minor, FWV 48: II. Allegretto by César Franck, Paavo Berglund, Bournemouth Symphony OrchestraFranck: Symphony in D Minor, FWV 48: II. AllegrettoCésar Franck, Paavo Berglund, Bournemouth Symphony OrchestraD♭ Major33B91 BPM
Sounds of joy by Alejandro Llovet AbascalSounds of joyAlejandro Llovet AbascalC Major38B88 BPM
Symphony No. 3 in C Minor, Op. 78 Symphony No. 3 in C Minor, Op. 78 "Organ" (Remastered): I. Poco adagioCamille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia OrchestraC Major48B105 BPM
Capriol Suite: IV. Bransles by Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel SchmidtCapriol Suite: IV. BranslesPeter Warlock, Metamorphosen Berlin, Wolfgang Emanuel SchmidtD Minor27A90 BPM
Cavalleria Rusticana: Preludio e Siciliana by Pietro Mascagni, Balthasar Neumann Orchestra, Thomas Hengelbrock, Giorgio BerrugiCavalleria Rusticana: Preludio e SicilianaPietro Mascagni, Balthasar Neumann Orchestra, Thomas Hengelbrock, Giorgio BerrugiF Major17B79 BPM
Symphony No. 3 in A Major: II. Adagio by Franz Schmidt, Frankfurt Radio Symphony Orchestra, Paavo JärviSymphony No. 3 in A Major: II. AdagioFranz Schmidt, Frankfurt Radio Symphony Orchestra, Paavo JärviA Major111B84 BPM
Concierto Pastoral for Flute and Orchestra: II. Adagio by Joaquín Rodrigo, Sami Junnonen, Helsinki Chamber Orchestra, James S. KahaneConcierto Pastoral for Flute and Orchestra: II. AdagioJoaquín Rodrigo, Sami Junnonen, Helsinki Chamber Orchestra, James S. KahaneF♯ Minor011A80 BPM
The Tempest, Op. 18: II. Allegro moderato by Pyotr Ilyich Tchaikovsky, BBC Scottish Symphony Orchestra, Alpesh ChauhanThe Tempest, Op. 18: II. Allegro moderatoPyotr Ilyich Tchaikovsky, BBC Scottish Symphony Orchestra, Alpesh ChauhanE Minor29A92 BPM
Symphony No. 9 in D Minor, Op. 125 Symphony No. 9 in D Minor, Op. 125 "Choral": IVa. Presto. Allegro assaiLudwig van Beethoven, Antonello Manacorda, Kammerakademie PotsdamG Major39B72 BPM
L'Oiseau de feu (1911 Version): XIX. Disparition du palais et des sortilèges de Kastchei - Animation des chevaliers petrifiés. Allegresse génerale by Igor Stravinsky, Orchestre de Paris, Klaus MäkeläL'Oiseau de feu (1911 Version): XIX. Disparition du palais et des sortilèges de Kastchei - Animation des chevaliers petrifiés. Allegresse géneraleIgor Stravinsky, Orchestre de Paris, Klaus MäkeläC Minor25A89 BPM
ISRC
US2TL0902413
Label
L-M Records/RCA Records

Section: 0.6882238388061523

End: 0.6922488212585449