"Notre Dame, Op. 2: Act II Scene 1: Ach, es ist der Priester! (Archdeacon, Esmeralda)" by Franz Schmidt, Hartmut Welker, Kurt Moll, James King, Horst R. Laubenthal, Gwyneth Jones, Kaja Borris, Hans Helm, Andreas Juffinger, Chor der St. Hedwigs-Kathedrale Berlin, RIAS Kammerchor, Berlin Radio Symphony Orchestra, Christof Perick was released on January 1, 1989. Notre Dame, Op. 2: Act II Scene 1: Ach, es ist der Priester! (Archdeacon, Esmeralda) appears to be safe for all ages as it is not explicit. There are a total of 20 in the song's album "Schmidt, F.: Notre Dame [Opera]". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Notre Dame, Op. 2: Act II Scene 1: Ach, es ist der Priester! (Archdeacon, Esmeralda) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Notre Dame, Op. 2: Act II Scene 1: Ach, es ist der Priester! (Archdeacon, Esmeralda) by Franz Schmidt, Hartmut Welker, Kurt Moll, James King, Horst R. Laubenthal, Gwyneth Jones, Kaja Borris, Hans Helm, Andreas Juffinger, Chor der St. Hedwigs-Kathedrale Berlin, RIAS Kammerchor, Berlin Radio Symphony Orchestra, Christof Perick having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Franck: Symphony in D Minor, FWV 48: II. Allegretto | César Franck, Paavo Berglund, Bournemouth Symphony Orchestra | D♭ Major | 3 | 3B | 91 BPM | ||
Sounds of joy | Alejandro Llovet Abascal | C Major | 3 | 8B | 88 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ" (Remastered): I. Poco adagio | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | C Major | 4 | 8B | 105 BPM | ||
Capriol Suite: IV. Bransles | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | D Minor | 2 | 7A | 90 BPM | ||
Cavalleria Rusticana: Preludio e Siciliana | Pietro Mascagni, Balthasar Neumann Orchestra, Thomas Hengelbrock, Giorgio Berrugi | F Major | 1 | 7B | 79 BPM | ||
Symphony No. 3 in A Major: II. Adagio | Franz Schmidt, Frankfurt Radio Symphony Orchestra, Paavo Järvi | A Major | 1 | 11B | 84 BPM | ||
Concierto Pastoral for Flute and Orchestra: II. Adagio | Joaquín Rodrigo, Sami Junnonen, Helsinki Chamber Orchestra, James S. Kahane | F♯ Minor | 0 | 11A | 80 BPM | ||
The Tempest, Op. 18: II. Allegro moderato | Pyotr Ilyich Tchaikovsky, BBC Scottish Symphony Orchestra, Alpesh Chauhan | E Minor | 2 | 9A | 92 BPM | ||
Symphony No. 9 in D Minor, Op. 125 "Choral": IVa. Presto. Allegro assai | Ludwig van Beethoven, Antonello Manacorda, Kammerakademie Potsdam | G Major | 3 | 9B | 72 BPM | ||
L'Oiseau de feu (1911 Version): XIX. Disparition du palais et des sortilèges de Kastchei - Animation des chevaliers petrifiés. Allegresse génerale | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | C Minor | 2 | 5A | 89 BPM |
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