"Fughetta No. 2 in A Minor, Op. 37" by Johann Krieger, Edward Harte was released on May 18, 2022. The duration of Fughetta No. 2 in A Minor, Op. 37 is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Fughetta No. 2 in A Minor, Op. 37's duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Fughetta No. 2 in A Minor, Op. 37 and no other songs are present in the album, we classify this track as a single. Fughetta No. 2 in A Minor, Op. 37 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fughetta No. 2 in A Minor, Op. 37 by Johann Krieger, Edward Harte is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Harpsichord Concerto No. 1 in F Major, Wq43/1: I. Allegro Molto | Carl Philipp Emanuel Bach, Claudio Astronio, Stefano Molardi | E Major | 4 | 12B | 126 BPM | ||
Prelude Number 18 | The Piano Girl | B Minor | 4 | 10A | 156 BPM | ||
Partita VI for Cembalo in B Major: No. 3, Sarabanda - Le Double - Le Double | Johann Krieger, Tatjana Vorobjova | B Major | 5 | 1B | 108 BPM | ||
Concert Royal No. 1 in G (Version for 2 Harpsichords): I. Prélude. Gravement | François Couperin, Pierre Gallon, Matthieu Boutineau | E♭ Major | 4 | 5B | 125 BPM | ||
24 Caprices, Op. 1: No. 8 in E-Flat Major, Maestoso - Transcription By Roberto Pasquini | Niccolò Paganini, Roberto Pasquini | A Minor | 1 | 8A | 66 BPM | ||
Num laßt uns Gott dem Herren, P388 | Johann Pachelbel, Matthew Owens | A Major | 2 | 11B | 113 BPM | ||
Kleine Präludien: No.7 in G Minor, BWV 930 | Inge Rosar | C Major | 1 | 8B | 147 BPM | ||
Partita for Cembalo in G Major: No. 5, Menuet | Johann Krieger, Tatjana Vorobjova | A Major | 4 | 11B | 100 BPM | ||
Trio in E-Flat Major for Viola d’amore, Bass Chalumeau & Continuo: I. Largo | Christoph Graupner, Hélène Plouffe, Mark Simons, David Jacques, Erin Helyard, Jacques-Olivier Chartier, Chloe Meyers, Amanda Keesmaat, Sophie Larivière, Olivier Laquerre | E Major | 0 | 12B | 116 BPM | ||
Puer natus in Bethlehem, BuxWV 217 | Dietrich Buxtehude, Bine Katrine Bryndorf | A Minor | 2 | 8A | 81 BPM |
Section: 0.5689966678619385
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