John Playford, The Broadside Band, Jeremy Barlow made "The Dancing Master: St. Paul's Wharf" available on April 20, 1980. The duration of The Dancing Master: St. Paul's Wharf is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. The Dancing Master: St. Paul's Wharf's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in John Playford, The Broadside Band, Jeremy Barlow's "John Playford: Popular Tunes in 17th Century England" album is number 3 out of 42. In terms of popularity, The Dancing Master: St. Paul's Wharf is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of The Dancing Master: St. Paul's Wharf by John Playford, The Broadside Band, Jeremy Barlow to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Danza alta, sobre "la Spagna": Danza Alta | Francesco de la Torre, Baltimore Consort | A Minor | 2 | 8A | 117 BPM | ||
Bravade (from “The Dancing Master”) [Arr. Lacey, McGuire, van Eyck] | Marshall McGuire, Genevieve Lacey, John Playford, Jacob van Eyck | D Minor | 1 | 7A | 64 BPM | ||
Ma viële | Gautier De Coincy, Catherine Sergent, Alla Francesca | E♭ Major | 0 | 5B | 116 BPM | ||
Intemerata Dei mater | Johannes Ockeghem, Oxford Camerata, Jeremy Summerly | D Minor | 1 | 7A | 79 BPM | ||
Farnabys Humour | Giles Farnaby, Harmonia Recorder Ensemble | G Major | 0 | 9B | 68 BPM | ||
Lachrimae | John Dowland, Elizabeth Kenny, Theatre of Early Music | F♯ Minor | 0 | 11A | 87 BPM | ||
Fantasia (I) | Cuthbert Hely, Jakob Lindberg | G Minor | 1 | 6A | 88 BPM | ||
Tastar da Corde | Eduardo Paniagua | G Minor | 1 | 6A | 137 BPM | ||
Dances: Galliard [12] | Anthony Holborne, Guildhall Waits, Trevor Jones, Consort Of Musicke, Anthony Rooley | C Major | 0 | 8B | 158 BPM | ||
Saltarello | Pietro Paolo Borrono, Paul O'Dette | E Minor | 1 | 9A | 94 BPM |
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