"Schumann: Liederkreis, Op. 24: No. 8, Anfangs wollt' ich fast verzagen" by Heinrich Heine, Robert Schumann, Ian Bostridge, Julius Drake was released on December 31, 1998. With Schumann: Liederkreis, Op. 24: No. 8, Anfangs wollt' ich fast verzagen being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 32 in the song's album "Schumann: Liederkreis & Dichterliebe etc". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. The popularity of Schumann: Liederkreis, Op. 24: No. 8, Anfangs wollt' ich fast verzagen is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schumann: Liederkreis, Op. 24: No. 8, Anfangs wollt' ich fast verzagen by Heinrich Heine, Robert Schumann, Ian Bostridge, Julius Drake having a BPM of 175 with a half-time of 88 BPM and a double-time of 350 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kapitel 13.2 & Kapitel 14.1 - Ostfriesenkiller | Ostfriesenkrimis, Klaus-Peter Wolf | G Major | 3 | 9B | 163 BPM | ||
Kapitel 3.3 - Verhängnisvolle Lügen an der Côte d'Azur. Der neunte Fall für Kommissar Duval | Christine Cazon | G Major | 4 | 9B | 115 BPM | ||
Kapitel 59.3 - Schlussblende - Ein Fall für Carol Jordan und Tony Hill 2 | Val McDermid | E♭ Minor | 3 | 2A | 112 BPM | ||
Kapitel 3.3 - Kosmologie für Fussgänger | Harald Lesch, Jörn Müller | D♭ Major | 5 | 3B | 86 BPM | ||
Kapitel 336.2 & Kapitel 337.1 - Ein wenig Leben | Torben Kessler, Hanya Yanagihara | B Minor | 5 | 10A | 174 BPM | ||
Aufgewacht im Flugzeug, Pt. 2 | Jarow | C Major | 2 | 8B | 146 BPM | ||
Kapitel 157 - Der talentierte Mr. Ripley - Ripley 1 | Patricia Highsmith, Gert Heidenreich | C Minor | 3 | 5A | 52 BPM | ||
Kapitel 56.2 & Kapitel 57.1 - Die kürzeste Geschichte allen Lebens | Harad Lesch, Harald Zaun | F♯ Minor | 3 | 11A | 80 BPM | ||
Caput III. Zu Aachen, im alten Dome | Lutz Görner, Heinrich Heine | F Major | 4 | 7B | 127 BPM | ||
Kapitel 3.3 & Kapitel 4.1 - Der große Entwurf | Stephen W. Hawking, Leonard Mlodinow | B Major | 3 | 1B | 117 BPM |
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