"La Jota Aragonesa, Op. 14" by Louis Moreau Gottschalk, Anthony Goldstone, Caroline Clemmow was released on November 3, 2009. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Anthony Goldstone, Caroline Clemmow's "Lollipops for Piano Duet" album is number 3 out of 22. On top of that, United Kingdom appears to be the country where this track was created. La Jota Aragonesa, Op. 14 is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of La Jota Aragonesa, Op. 14 by Louis Moreau Gottschalk, Anthony Goldstone, Caroline Clemmow to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on Balkan, Op. 60: III. Allegro ma non troppo | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 68 BPM | ||
Symphony No. 1 in B-Flat Major, Op. 38 "Spring": III. Scherzo. Molto vivace - Trio I & Trio II. Molto più vivace | Robert Schumann, Dresdner Philharmonie, Marek Janowski | E Major | 2 | 12B | 97 BPM | ||
Napoli, suite pour piano, FP 40: III. Caprice Italien | Francis Poulenc, Chiara Cipelli | D♭ Major | 2 | 3B | 157 BPM | ||
Octubre Rosa | Cecilia Foj | F Minor | 2 | 4A | 79 BPM | ||
Invitation to the Dance, Op. 65 (Aufforderung zum Tanze) - Orchestrated By H. Berlioz: Moderato - Allegro vivace - Vivace - Moderato | Carl Maria von Weber, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 122 BPM | ||
Sinfonietta: III. Allegro | Maya Badian, Brasov State Philharmonic Orchestra, Ilarion Ionescu-Galati | D♭ Major | 2 | 3B | 100 BPM | ||
Winnsboro Cotton Mill Blues (1979) | Louis Moreau Gottschalk, Kerry Mills, Greg McCallum, Kenneth Frazelle, Julie Harris, William Grant Still, Frederic Rzewski | D♭ Major | 3 | 3B | 96 BPM | ||
Piano Music for Big and Small, Op. 53: No. 6 Poco Lamentoso | The Gerst Ensemble | D♭ Minor | 2 | 12A | 175 BPM | ||
Valse triste from Kuolema, Op.44 | Jean Sibelius, Leonard Bernstein, New York Philharmonic | G Major | 0 | 9B | 86 BPM | ||
Morceaux de fantaisie, Op. 3: No. 2. Prelude in C-Sharp Minor | Sergei Rachmaninoff, Nikolai Lugansky | G Minor | 0 | 6A | 112 BPM |
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