Chuck Mangione's 'Maui-Waui' came out on December 8, 1977. Maui-Waui appears to be safe for all ages as it is not explicit. The song is number 2 out of 6 in Feels So Good by Chuck Mangione. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Maui-Waui is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Maui-Waui by Chuck Mangione is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Come On Over | Blake Aaron | G Major | 9 | 9B | 128 BPM | ||
Moment to Moment | Henry Mancini | C Minor | 1 | 5A | 74 BPM | ||
Easy, Like Sunday Morning | Paul Jackson, Jr. | A Minor | 6 | 8A | 132 BPM | ||
I’m All Ears | Cindy Bradley | F Minor | 6 | 4A | 98 BPM | ||
Daydreamin' | Jay Soto | B♭ Major | 6 | 6B | 75 BPM | ||
Eighteen | Pat Metheny Group | C Major | 5 | 8B | 101 BPM | ||
Rush Hour | Yellowjackets | D♭ Minor | 7 | 12A | 126 BPM | ||
El Hotel de Adan 2 | Cuerdas y Metales | A Minor | 4 | 8A | 119 BPM | ||
Great Expectations | Dan Siegel | G Major | 7 | 9B | 94 BPM | ||
Bossa Blue | Chris Standring | D Minor | 5 | 7A | 100 BPM |
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