- BPM
- 78
- Key
- A♭ Major
- Camelot
- 4B
Peter Grimes, Op. 13: Act III Scene II: Grimes! (Voices, Peter) - Benjamin Britten, Alan Oke, Steuart Bedford, Britten-Pears Orchestra Information
- Acousticness
- 94%
- Danceability
- 33%
- Energy
- 3%
- Instrumentalness
- 0%
- Liveness
- 9%
- Loudness
- 61%
- Speechiness
- 6%
- Valence
- 4%
- Popularity
- 21%
- Loudness
- -23.699 dB
Summary
"Peter Grimes, Op. 13: Act III Scene II: Grimes! (Voices, Peter)" by Benjamin Britten, Alan Oke, Steuart Bedford, Britten-Pears Orchestra was released on June 14, 2013. With this song being about 5 minutes long, at 5:08, "Peter Grimes, Op. 13: Act III Scene II: Grimes! (Voices, Peter)" by Benjamin Britten, Alan Oke, Steuart Bedford, Britten-Pears Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 19 out of 52 in Britten: Peter Grimes by Benjamin Britten, Alan Oke, Britten-Pears Orchestra, Steuart Bedford. Peter Grimes, Op. 13: Act III Scene II: Grimes! (Voices, Peter) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Peter Grimes, Op. 13: Act III Scene II: Grimes! (Voices, Peter) BPM
The tempo marking of Peter Grimes, Op. 13: Act III Scene II: Grimes! (Voices, Peter) by Benjamin Britten, Alan Oke, Steuart Bedford, Britten-Pears Orchestra is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Peter Grimes, Op. 13: Act III Scene II: Grimes! (Voices, Peter) Key
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Pelléas et Mélisande, Op.80: 2. Andantino quasi Allegretto (La Fileuse) | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 166 BPM | |
 | Appalachian Spring: III. Moderato | Aaron Copland, Leonard Bernstein, New York Philharmonic | F♯ Major | 0 | 2B | 177 BPM | |
 | Rusalka, Op. 114 / Act 1: Overture | Antonín Dvořák, Czech Philharmonic Orchestra, Sir Charles Mackerras | E♭ Major | 0 | 5B | 64 BPM | |
 | Ravel: Ma mère l'oye, M. 60: III. Laideronnette, impératrice des pagodes | Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | A♭ Minor | 0 | 1A | 122 BPM | |
 | War Requiem, Op. 66: ii. Requiem Aeternam - Te decet hymnus | Benjamin Britten, Gianandrea Noseda, Choir of Eltham College, London Symphony Chorus, London Symphony Orchestra | C Major | 0 | 8B | 101 BPM | |
 | 3 Portraits From England Of Elizabeth: Poet | RTE Concert Orchestra, Ralph Vaughan Williams | A Minor | 0 | 8A | 87 BPM | |
 | Brandenburg Concerto No. 6 in B flat, BWV 1051: 1. -- | Johann Sebastian Bach, English Chamber Orchestra, Benjamin Britten | B♭ Major | 1 | 6B | 109 BPM | |
 | Dido and Aeneas, Z.626 / Act 3: "Thy Hand Belinda - When I Am Laid In Earth" | Henry Purcell, Catherine Bott, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 0 | 11A | 83 BPM | |
 | Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | |
 | The Crown Of India: March Of The Mogul Emperors | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B Minor | 4 | 10A | 90 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7228987216949463
End: 0.7272541522979736