"6 Bagatelles, Op.126: 3. Andante" by Ludwig van Beethoven, Alfred Brendel was released on January 1, 1997. The duration of 6 Bagatelles, Op.126: 3. Andante is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. 6 Bagatelles, Op.126: 3. Andante's duration is considered a little bit shorter than the average duration of a typical track. The song is number 23 out of 28 in Beethoven: Bagatelles Opp.33, 119 & 126; Für Elise; Rondo in C; Allegretto in C minor; Klavierstück in B flat by Ludwig van Beethoven, Alfred Brendel. Based on our statistics, 6 Bagatelles, Op.126: 3. Andante's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 6 Bagatelles, Op.126: 3. Andante by Ludwig van Beethoven, Alfred Brendel is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
Triple Concerto in C Major, Op. 56: 2. Largo - attacca - Live at Philharmonie, Berlin / 2019 | Ludwig van Beethoven, Anne-Sophie Mutter, Yo-Yo Ma, Daniel Barenboim, West-Eastern Divan Orchestra | A♭ Major | 1 | 4B | 90 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 150 BPM | ||
Liebesleid | Fritz Kreisler, Joshua Bell, Paul Coker | A Major | 1 | 11B | 74 BPM | ||
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | ||
Kinderszenen, Op. 15: 7. Träumerei | Robert Schumann, Alfred Brendel | F Major | 0 | 7B | 135 BPM | ||
Rage Over A Lost Penny, Op. 129 | Valentina Lisitsa | G Major | 2 | 9B | 80 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.6 in D minor BWV851 | Daniel Barenboim | D Minor | 1 | 7A | 129 BPM | ||
2 Part Invention In F Major, BWV 779: Two-part Invention In F Major, BWV 779 | Janos Sebestyen, Johann Sebastian Bach | F Major | 3 | 7B | 123 BPM |
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