"Also sprach Zarathustra, Op. 30, TrV 176: I. Prelude (Sonnenaufgang)" by Richard Strauss, Berliner Philharmoniker, Karl Böhm was released on January 1, 1998. With Also sprach Zarathustra, Op. 30, TrV 176: I. Prelude (Sonnenaufgang) being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 11 in the song's album "Strauss: Also sprach Zarathustra - Don Juan - Till Eulenspiegel". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. In terms of popularity, Also sprach Zarathustra, Op. 30, TrV 176: I. Prelude (Sonnenaufgang) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Also sprach Zarathustra, Op. 30, TrV 176: I. Prelude (Sonnenaufgang) by Richard Strauss, Berliner Philharmoniker, Karl Böhm having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Titoli Di Testa / Viaggio A Donnafugata | Nino Rota | A♭ Major | 3 | 4B | 79 BPM | ||
Die Agyptische Helena, Op. 75, TrV 255, Act II: Zweite Brautnacht! Zaubernacht | Richard Strauss, Alessandra Marc, Dallas Symphony Chorus, Dallas Symphony Orchestra, Andrew Litton | D Major | 0 | 10B | 81 BPM | ||
The Piano: The Heart Asks Pleasure First | Michael Nyman, Jean-Yves Thibaudet | E Minor | 2 | 9A | 185 BPM | ||
Concerto for Oboe and Small Orchestra in D Major, Op. 144: I. Allegro moderato | Richard Strauss, François Leleux, Swedish Radio Symphony Orchestra, Daniel Harding | D Major | 2 | 10B | 133 BPM | ||
Meeting Laura | Johnny Klimek, Reinhold Heil, Tom Tykwer, Sir Simon Rattle, Berliner Philharmoniker | F Major | 3 | 7B | 64 BPM | ||
Purcell: Trumpet Sonata in D Major, Z. 850: II. Adagio | Henry Purcell, John Eliot Gardiner, David Blackadder, English Baroque Soloists | D♭ Minor | 0 | 12A | 103 BPM | ||
Suite No. 3, P. 172: III. Siciliana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | C Minor | 0 | 5A | 93 BPM | ||
Gayane Suite No. 2: VI. Sabre Dance | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | E♭ Major | 8 | 5B | 91 BPM | ||
Mozart: Requiem in D Minor, K. 626: VIII. Lacrimosa | Wolfgang Amadeus Mozart, Riccardo Muti, Stockholm Chamber Choir, Swedish Radio Choir, Berliner Philharmoniker | D Minor | 1 | 7A | 147 BPM | ||
Waterloo: Andante con moto - Alla marcia | Nino Rota, Gianluigi Gelmetti, Monte-Carlo Philharmonic Orchestra | E♭ Minor | 0 | 2A | 118 BPM |
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