"Pièces de viole, Tournus Manuscript: No. 91. Sarabande" by Monsieur de Sainte-Colombe, Philippe Pierlot was released on January 28, 2022. The duration of Pièces de viole, Tournus Manuscript: No. 91. Sarabande is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Pièces de viole, Tournus Manuscript: No. 91. Sarabande's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Philippe Pierlot's "Meditation" album is number 7 out of 19. On top of that, Belgium appears to be the country where this track was created. Based on our statistics, Pièces de viole, Tournus Manuscript: No. 91. Sarabande's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pièces de viole, Tournus Manuscript: No. 91. Sarabande by Monsieur de Sainte-Colombe, Philippe Pierlot to be Allegro (fast, quick, and bright) because the track has a tempo of 143 BPM, a half-time of 72BPM, and a double-time of 286 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tarantelas | Santiago De Murcia, Erik Bosgraaf, Izhar Elias, Alessandro Pianu | B Major | 1 | 1B | 73 BPM | ||
Suite in D Minor: IV. Canaries | Vieux Gaultier, Hopkinson Smith | C Minor | 1 | 5A | 65 BPM | ||
A Song of Mr Robert Parsons | Robert Parsons, Catherine King, The Rose Consort Of Viols | A♭ Minor | 0 | 1A | 92 BPM | ||
Dido and Aeneas, Z. 626: Act II: Ritornelle | Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble | D♭ Minor | 0 | 12A | 83 BPM | ||
Rameau: Pièces de clavecin (1724), Suite in D Major, RCT 3: No. 1 Les Tendres Plaintes - Rondeau | Jean-Philippe Rameau, Jean Rondeau | C Minor | 3 | 5A | 87 BPM | ||
Manuscrit de Tournus: Double de la courante 30 | Monsieur de Sainte-Colombe, Silvia De Rosso | D♭ Minor | 0 | 12A | 91 BPM | ||
XLIV. Tombeau des regrets: Tombeau Les Regrets - Quarrillon - Apel de Charon - Les pleurs - Joye des Elizées - Reprise: Les pleurs | Monsieur de Sainte-Colombe, Les Voix Humaines | F Minor | 0 | 4A | 79 BPM | ||
Lady Hunsdon's Puffe, P. 54 | John Dowland, Nigel North | B♭ Major | 2 | 6B | 78 BPM | ||
Manuscrit de Tournus: Gigue 41 | Monsieur de Sainte-Colombe, Silvia De Rosso | D♭ Minor | 0 | 12A | 91 BPM | ||
Passacaglia in D Minor, BuxWV 161 | Dietrich Buxtehude, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | D Minor | 1 | 7A | 177 BPM |
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