La Capella Reial De Catalunya, Hespèrion XXI, Maike Boerdam, Enrique Solinís's 'Gesproken tekst X (6): "De aanspraken van de Zotheid om te midden van de godinnen plaats te nemen" / Muziek: Romanesca (Gitaar)' came out on 2012. With Gesproken tekst X (6): "De aanspraken van de Zotheid om te midden van de godinnen plaats te nemen" / Muziek: Romanesca (Gitaar) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 10 out of 91 in Erasmus - Lof der zotheid (Nederlandse versie) by La Capella Reial De Catalunya, Hespèrion XXI, Jordi Savall. The popularity of Gesproken tekst X (6): "De aanspraken van de Zotheid om te midden van de godinnen plaats te nemen" / Muziek: Romanesca (Gitaar) is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Gesproken tekst X (6): "De aanspraken van de Zotheid om te midden van de godinnen plaats te nemen" / Muziek: Romanesca (Gitaar) by La Capella Reial De Catalunya, Hespèrion XXI, Maike Boerdam, Enrique Solinís is Presto (very, very fast), since this song has a tempo of 180 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jam sauche | Pierre de la Rue, Capilla Flamenca, Patrick Denecker | F Minor | 1 | 4A | 93 BPM | ||
Folia | Giovanni Paolo Foscarini, Private Musicke | C Major | 1 | 8B | 86 BPM | ||
In Nomine | John Taverner, The Rose Consort Of Viols | E Major | 0 | 12B | 108 BPM | ||
Messe in H-moll, BWV 232: Osanna in excelsis | La Capella Reial De Catalunya | D♭ Major | 5 | 3B | 89 BPM | ||
Mit Fried und Freud ich fahr dahin, BuxWV 76 | Dietrich Buxtehude, Anima Eterna, Collegium Vocale, Jos Van Immerseel | D Minor | 1 | 7A | 56 BPM | ||
Si De Vos Mi Bien (Instrumental) | Anónimo, Jordi Savall, Montserrat Figueras, La Capella Reial De Catalunya, Hespèrion XX | D Major | 0 | 10B | 108 BPM | ||
Ego Flos Campi | Oxford Camerata, Jacob Clemens non Papa | F♯ Major | 0 | 2B | 139 BPM | ||
Ego enim a 6 | Francisco López Capillas, Piffaro | F Minor | 1 | 4A | 106 BPM | ||
Dos estrellas le seguen. Romance – à 2, 3 & 4 | Manuel Machado, Paul Van Nevel, Huelgas Ensemble | C Major | 1 | 8B | 89 BPM | ||
In ecclesiis (a 14), C78 | Giovanni Gabrieli, His Majestys Sagbutts & Cornetts, Ensemble of King's College, Cambridge, Stephen Cleobury | A Minor | 1 | 8A | 79 BPM |
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