Kapitel 24.3 - Wie Google tickt - How Google Works
Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth
Wie Google tickt - How Google Works
2:08 January 8, 2015
BPM
85
Key
A Minor
Camelot
8A

Embed

Share Link

Kapitel 24.3 - Wie Google tickt - How Google Works - Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth Information

Acousticness
47%
Danceability
72%
Energy
24%
Instrumentalness
0%
Liveness
14%
Loudness
69%
Speechiness
95%
Valence
65%
Popularity
Loudness
-18.584 dB

Summary

Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth made "Kapitel 24.3 - Wie Google tickt - How Google Works" available on January 8, 2015. The duration of Kapitel 24.3 - Wie Google tickt - How Google Works is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Kapitel 24.3 - Wie Google tickt - How Google Works's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg. The song's track number on the album is #52 out of 208 tracks. Based on our data, Germany was the country where this track was produced or recorded. Kapitel 24.3 - Wie Google tickt - How Google Works is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

Kapitel 24.3 - Wie Google tickt - How Google Works BPM

Since Kapitel 24.3 - Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth has a tempo of 85 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Kapitel 24.3 - Wie Google tickt - How Google Works being at 85 BPM, the half-time would be 42 BPM with a double-time of 170 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.

Kapitel 24.3 - Wie Google tickt - How Google Works Key

A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Messa di Gloria: VIII. Quoniam by Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Orfeó Català, Pablo LarrazMessa di Gloria: VIII. QuoniamGiacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Orfeó Català, Pablo LarrazC Major18B125 BPM
6 Lieder, Op. 31: No. 6, Abschied by Ferdinand Ries, Wolfgang Müller von Königswinter, Äneas Humm, Judit Polgar6 Lieder, Op. 31: No. 6, AbschiedFerdinand Ries, Wolfgang Müller von Königswinter, Äneas Humm, Judit PolgarF Major27B93 BPM
Verdi: La traviata, Act 2: Verdi: La traviata, Act 2: "Di Provenza il mar" (Instrumental Version, Arr. Pryce Jackman)Giuseppe Verdi, Sir Neville Marriner, Graham Sheen, Academy of St. Martin in the FieldsA Minor08A80 BPM
Strauss, R: 8 Lieder, Op. 49: No. 1, Waldseligkeit by Richard Strauss, Sabine Devieilhe, Mathieu PordoyStrauss, R: 8 Lieder, Op. 49: No. 1, WaldseligkeitRichard Strauss, Sabine Devieilhe, Mathieu PordoyG Minor06A82 BPM
Messa di Gloria: II. Gloria by Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó CatalàMessa di Gloria: II. GloriaGiacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó CatalàE♭ Major15B66 BPM
Four Last Songs, TrV 296 (Arr. for Piano and Soprano by Max Wolff): III. Beim Schlafengehen by Richard Strauss, Asmik Grigorian, Markus HinterhäuserFour Last Songs, TrV 296 (Arr. for Piano and Soprano by Max Wolff): III. Beim SchlafengehenRichard Strauss, Asmik Grigorian, Markus HinterhäuserD Major110B90 BPM
The Dream of Gerontius, Op. 38, Pt. 2: Lord, Thou hast been our refuge - Radio Edit by Edward Elgar, Gabrieli, Paul McCreesh, Anna StephanyThe Dream of Gerontius, Op. 38, Pt. 2: Lord, Thou hast been our refuge - Radio EditEdward Elgar, Gabrieli, Paul McCreesh, Anna StephanyD Major010B85 BPM
Handel: Samson, HWV 57, Act 1: Handel: Samson, HWV 57, Act 1: "Total eclipse!" (Samson)George Frideric Handel, Raymond Leppard, English Chamber OrchestraE Minor19A75 BPM
Serse, HWV 40, Act I: O voi, che penate (Romilda, Arsamene, Elviro, Serse) by George Frideric Handel, Ann Murray, Ivor Bolton, Christopher Robson, Patricia Bardon, Umberto Chiummo, Yvonne Kenny, Julie Kaufmann, Jan Zinkler, Chor der Bayerischen Staatsoper, Bavarian State OrchestraSerse, HWV 40, Act I: O voi, che penate (Romilda, Arsamene, Elviro, Serse)George Frideric Handel, Ann Murray, Ivor Bolton, Christopher Robson, Patricia Bardon, Umberto Chiummo, Yvonne Kenny, Julie Kaufmann, Jan Zinkler, Chor der Bayerischen Staatsoper, Bavarian State OrchestraE Minor29A147 BPM
Le charme Op. 2 N°2 by Ernest Chausson, Susan Manoff, Sandrine PiauLe charme Op. 2 N°2Ernest Chausson, Susan Manoff, Sandrine PiauG Major09B93 BPM
ISRC
DEXR11845081
Label
L-M Records/RCA Records

Section: 0.8480000495910645

End: 0.8513526916503906