Orchestre de Paris, Gabriel Bacquier, Georges Prêtre made "La Damnation de Faust Op. 24 (1996 Digital Remaster): Une puce gentille" available on 2004. With La Damnation de Faust Op. 24 (1996 Digital Remaster): Une puce gentille being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in 100 Best Opera Classics, so we believe that "La Damnation de Faust Op. 24 (1996 Digital Remaster): Une puce gentille" is a single. La Damnation de Faust Op. 24 (1996 Digital Remaster): Une puce gentille is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of La Damnation de Faust Op. 24 (1996 Digital Remaster): Une puce gentille by Orchestre de Paris, Gabriel Bacquier, Georges Prêtre is Lento (slowly), since this song has a tempo of 51 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 3 | 12A | 72 BPM | ||
Lalo: Symphonie espagnole in D Minor, Op. 21: III. Intermezzo - Allegretto non troppo | Édouard Lalo, Renaud Capuçon, Paavo Järvi, Orchestre de Paris | A Minor | 1 | 8A | 172 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in G Minor, Op. 8 No. 2, RV 315 "Summer": III. Presto | Antonio Vivaldi, Itzhak Perlman, Israel Philharmonic Orchestra | G Minor | 4 | 6A | 136 BPM | ||
Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie | Johann Sebastian Bach, Emmanuel Pahud, Berliner Barock Solisten, Rainer Kussmaul | B Minor | 2 | 10A | 121 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: III. Finale. Allegro energico | Max Bruch, Renaud Capuçon, Paavo Järvi, Orchestre de Paris | G Major | 2 | 9B | 98 BPM | ||
Zigeunerweisen, Op. 20 (version for violin and orchestra): III. Allegro molto vivace | RCA Victor Symphony Orchestra & William Steinberg | A♭ Major | 1 | 4B | 88 BPM | ||
Fauré: Requiem, Op. 48: V. Agnus Dei | Gabriel Fauré, Choeur de l'Orchestre de Paris, Orchestre de Paris, Paavo Järvi | F Major | 0 | 7B | 77 BPM | ||
Sinfonia in D Major, "La Veneziana": I. Allegro assai | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 108 BPM | ||
Sorochintsi Fair, Act I: Gopak (Hopak) | Modest Mussorgsky, Slovak Philharmonic, Kenneth Jean | G Major | 2 | 9B | 127 BPM |
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