"Read: Magnificat in F" by Blackburn Cathedral Choir, Blackburn Cathedral Girls' Choir, The Renaissance Singers of Blackburn Cathedral was released on October 27, 2007. With this song being about 5 minutes long, at 5:14, "Read: Magnificat in F" by Blackburn Cathedral Choir, Blackburn Cathedral Girls' Choir, The Renaissance Singers of Blackburn Cathedral is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Blackburn Cathedral Choir's "My Spirit Rejoiceth - Setting of the Magnificat and Nunc Dimittis" album is number 5 out of 16. Read: Magnificat in F is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Read: Magnificat in F by Blackburn Cathedral Choir, Blackburn Cathedral Girls' Choir, The Renaissance Singers of Blackburn Cathedral to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ain't That Good News! | The Graduate Choir, nz, Terence Maskell | F♯ Major | 2 | 2B | 82 BPM | ||
Love divine, all loves excelling (Blaenwern) | William P. Rowlands, York Minster Choir, Philip Moore | F♯ Major | 3 | 2B | 80 BPM | ||
Lord, for Thy Tender Mercy's Sake | Richard Farrant, Westminster Kantorei, Amanda Quist | A♭ Major | 1 | 4B | 77 BPM | ||
An Easter Sequence | Kenneth Leighton, Salisbury Cathedral Boys & Girls Choir, Harriet Colley, Simon Lole, Sofia Larsson, David Halls | G Major | 1 | 9B | 67 BPM | ||
Requiem | Giacomo Puccini, Choir of Gonville & Caius College, Cambridge, Geoffrey Webber | C Major | 1 | 8B | 134 BPM | ||
Dialogues des Carmélites, FP 159: Ave Maria | Francis Poulenc, Cantus Juvenum Karlsruhe, Carsten Wiebusch, Peter Gortner | B Minor | 2 | 10A | 115 BPM | ||
Michael "All My Hope on God Is Founded" | Herbert Howells, Choir of St Mary's Cathedral, Edinburgh, Peter Backhouse, Dennis Townhill | F Major | 1 | 7B | 86 BPM | ||
Evry Stone Crys | Nicolas Fayolle | B♭ Major | 1 | 6B | 95 BPM | ||
We Plough the Fields, and Scatter | Johann Abraham Peter Schulz, The Choir of Kings School, Canterbury, Matthew Martin, Howard Ionascu | A Major | 1 | 11B | 100 BPM | ||
Saavu, Jeesus, suuri armontuoja (Virsi 357) | Seuralaulu, Maarit Hosionaho | C Minor | 2 | 5A | 70 BPM |
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