George Frideric Handel, Arcangelo, Jonathan Cohen, Tim Mead's 'Theodora, HWV 68, Pt. II: Air. Sweet Rose, & Lily' came out on February 23, 2024. The duration of Theodora, HWV 68, Pt. II: Air. Sweet Rose, & Lily is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Theodora, HWV 68, Pt. II: Air. Sweet Rose, & Lily's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Arcangelo, Jonathan Cohen's "Handel: Theodora, HWV 60" album is number 19 out of 78. On top of that, France appears to be the country where this track was created. Theodora, HWV 68, Pt. II: Air. Sweet Rose, & Lily is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Theodora, HWV 68, Pt. II: Air. Sweet Rose, & Lily by George Frideric Handel, Arcangelo, Jonathan Cohen, Tim Mead to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in E Minor: II. Vivace | Benedetto Marcello, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 3 | 2A | 117 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
Violin Concerto No. 1 in A minor, BWV 1041: 2. Andante | Johann Sebastian Bach, Janine Jansen, Boris Brovtsyn, Cindy Albracht, Frederik Paulsson, Julia-Maria Kretz, Tijmen Huisingh, Monika Urbonaite, Nimrod Guez, Pauline Sachse, Maarten Jansen, Rick Stotijn, Jan Jansen | C Major | 0 | 8B | 108 BPM | ||
Oboe Concerto in C Major on Themes of Pergolesi: III. Andantino | Anthony Camden, City of London Sinfonia, Nicholas Ward | C Minor | 0 | 5A | 48 BPM | ||
Concerto No. 4 in G major, BWV 1049: I. Allegro | Johann Sebastian Bach, Freiburger Barockorchester | F Major | 2 | 7B | 99 BPM | ||
Suite in D Minor, HWV 447: Allemande | George Frideric Handel, David Greilsammer | D Minor | 1 | 7A | 74 BPM | ||
Water Music (ed. Boyling) (1999 Digital Remaster), Suite no.2 in D: Gigue | George Frideric Handel, Yehudi Menuhin, Bath Festival Orchestra | D Major | 1 | 10B | 118 BPM | ||
Lully : Ballet des Muses : "Trop indiscret Amour" [Euridice] | Jean-Baptiste Lully, William Christie, Les Arts Florissants | F Minor | 1 | 4A | 71 BPM | ||
Sinfonia in E major, RV 132: II. Andante | Karoly Botvay | A Major | 0 | 11B | 79 BPM | ||
Keyboard Suite No. 2 (Set I) in F Major, HWV 427: I. Adagio | George Frideric Handel, Philip Edward Fisher | D Minor | 0 | 7A | 72 BPM |
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