Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset made "Almasis, Scène 5: Air pour les esclaves, pesamment" available on May 5, 2023. The duration of Almasis, Scène 5: Air pour les esclaves, pesamment is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Almasis, Scène 5: Air pour les esclaves, pesamment's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 41 in the song's album "Pancrace Royer: Surprising Royer, Orchestral Suites". In this album, this song's track order is #33. Furthermore, we believe that the track originated from France. The popularity of Almasis, Scène 5: Air pour les esclaves, pesamment is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Almasis, Scène 5: Air pour les esclaves, pesamment by Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset having a BPM of 176 with a half-time of 88 BPM and a double-time of 352 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Forqueray, A: Pèces de viole, Suite No. 1 en ré mineur: V. La Portugaise. Marqué et d'aplomb | Antoine Forqueray, Jean Rondeau | D♭ Minor | 2 | 12A | 126 BPM | ||
Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": III. Tempo di Minuetto | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 93 BPM | ||
Le Bourgeois Gentilhomme, LWV 43: Ouverture (1670) | Jean-Baptiste Lully, Jordi Savall, Le Concert Des Nations | F Minor | 2 | 4A | 117 BPM | ||
Flute Concerto in D Major, TWV 51:D1: I. Andante | Georg Philipp Telemann, Barthold Kuijken, Indianapolis Baroque Orchestra | F Major | 3 | 7B | 128 BPM | ||
Pieces de clavecin: Suite in A Minor - major: VIII. Gavotte | Jean-Philippe Rameau, Gilbert Rowland | D Major | 2 | 10B | 97 BPM | ||
Duphly: Quatrième livre de pièces de clavecin: V. La Pothouïn | Jacques Duphly, Alexandre Tharaud | C Minor | 1 | 5A | 61 BPM | ||
Déraisonnable beauté: Chaconne | Rinaldo Alessandrini | B Major | 1 | 1B | 124 BPM | ||
Concerto grosso No. 1 in B-Flat Major, Op. 3, HWV 312: I. Allegro | George Frideric Handel, Akademie für Alte Musik Berlin, Georg Kallweit | A Major | 3 | 11B | 125 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Pyrrhus, Act I, Scene 3: "Et quoi, vous me fuyez" - Live Recording at La Salle des Croisades du Château de Versailles | Joseph-Nicolas-Pancrace Royer, Les Enfants d'Apollon, Michael Greenberg, Alain Buet, Emmanuelle De Negri | A♭ Major | 0 | 4B | 83 BPM |
Section: 0.5644040107727051
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