Ludwig van Beethoven, Hans Hopf, Birgit Nilsson, Erich Kleiber, Cologne Radio Symphony Orchestra's 'Fidelio, Op. 72, Act II: Wer ein holdes Weib errungen' came out on January 1, 2006. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 15 out of 37 in Beethoven: Fidelio by Ludwig van Beethoven, Birgit Nilsson, Hans Hopf, Gottlob Frick, Erich Kleiber, Cologne Radio Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Fidelio, Op. 72, Act II: Wer ein holdes Weib errungen is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fidelio, Op. 72, Act II: Wer ein holdes Weib errungen by Ludwig van Beethoven, Hans Hopf, Birgit Nilsson, Erich Kleiber, Cologne Radio Symphony Orchestra is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
Nocturnes, Op. 27: No. 2 in D-Flat Major | Frédéric Chopin, Arthur Rubinstein | D♭ Major | 0 | 3B | 77 BPM | ||
Piano Sonata No. 1 In F Minor, Op. 2, No. 1: 2. Adagio | Ludwig van Beethoven, Daniel Barenboim | F Major | 0 | 7B | 67 BPM | ||
Trio n°3, Op. 1: II. Andante cantabile con variazoni | Ludwig van Beethoven, Trio Leos, Pablo Schatzman, Guillaume Lafeuille, Jean-Michel Dayez | E Minor | 4 | 9A | 93 BPM | ||
Concerto grosso No. 1 in D Major, Op. 6: II. Largo - Allegro | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 146 BPM | ||
Rachmaninov: 10 Preludes, Op. 23: No. 5 in G Minor | Sergei Rachmaninoff, Nikolai Lugansky | G Minor | 1 | 6A | 113 BPM | ||
Adagietto | Arash Safaian, Sebastian Knauer | G Major | 0 | 9B | 89 BPM | ||
Etude in F Minor | Felix Mendelssohn, Benjamin Frith | B♭ Major | 0 | 6B | 75 BPM | ||
Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 3 | 12A | 72 BPM | ||
24 Caprices for Violin, Op. 1, MS. 25: No. 24 in A Minor | Niccolò Paganini, Salvatore Accardo | A Minor | 1 | 8A | 167 BPM |
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