"Ave Maria (after Cavalleria rusticana: Intermezzo): Cavalleria Rusticana: Intermezzo, "Ave Maria" (arr. for tenor)" by Pietro Mascagni, Fritz Kreisler, Vincent O'Brien, John McCormack was released on September 1, 2007. The duration of Ave Maria (after Cavalleria rusticana: Intermezzo): Cavalleria Rusticana: Intermezzo, "Ave Maria" (arr. for tenor) is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Ave Maria (after Cavalleria rusticana: Intermezzo): Cavalleria Rusticana: Intermezzo, "Ave Maria" (arr. for tenor)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in John McCormack, Walter B. Rogers's "Mccormack, John: Mccormack Edition, Vol. 5: The Acoustic Recordings (1914-1915)" album is number 2 out of 26. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Ave Maria (after Cavalleria rusticana: Intermezzo): Cavalleria Rusticana: Intermezzo, "Ave Maria" (arr. for tenor)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ave Maria (after Cavalleria rusticana: Intermezzo): Cavalleria Rusticana: Intermezzo, "Ave Maria" (arr. for tenor) by Pietro Mascagni, Fritz Kreisler, Vincent O'Brien, John McCormack to be Allegro (fast, quick, and bright) because the track has a tempo of 155 BPM, a half-time of 78BPM, and a double-time of 310 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 1/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
Meditation | Jules Massenet, Anne Akiko Meyers, Andrew Litton | E Minor | 1 | 9A | 86 BPM | ||
By the Sleepy Lagoon | Eric Coates, David Parry, BBC Symphony Orchestra | C Major | 0 | 8B | 135 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) | Max Bruch, Julia Fischer, Tonhalle Orchester Zürich, David Zinman | E♭ Major | 1 | 5B | 170 BPM | ||
The Banks of Green Willow | George Butterworth, Royal Liverpool Philharmonic Orchestra, Grant Llewellyn | A Minor | 0 | 8A | 71 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Cavalleria rusticana, Scene 11: Mamma, quel vino è generoso | Pietro Mascagni, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F♯ Minor | 2 | 11A | 82 BPM | ||
Cradle Song | Gordon Jacob, RTE Concert Orchestra, Ernest Tomlinson | F Major | 0 | 7B | 72 BPM | ||
Antiche danze ed arie per liuto, Suite No. 1, P. 109: I. Balletto detto "Il Conte Orlando" | Ottorino Respighi, Munich Radio Orchestra, Henry Raudales | D♭ Major | 1 | 3B | 134 BPM | ||
Thais: Méditation de Thais - Arr. for Violin and Piano | Jules Massenet, Pierre Amoyal, Bruno Canino | D Major | 1 | 10B | 95 BPM |
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